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A Bloodsmoor Romance, by Joyce Carol Oates
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Finally returned to print, Joyce Carol Oates's lost classic: the satirical, often surreal, and beautifully plotted Gothic romance that follows the exploits of the audacious Zinn sisters, whose nineteenth-century pursuit of adventurous lives turns a lens on contemporary American culture
When their sister is plucked from the shores of the Bloodsmoor River by an eerie black-silk hot air balloon that sails in through a clear blue sky, the lives of the already extraordinary Zinn sisters are radically altered. The monstrous tragedy splinters the family, who must not only grapple with the mysterious and shameful loss of their sister and daughter but also seek their way forward in the dawn of a new era—one that includes time machines, the spirit world, and the quest for women's independence.
Breathlessly narrated in the Victorian style by an unnamed narrator who is herself shocked and disgusted by the Zinn sisters' sexuality, impulsivity, and rude rejection of the mores of the time, the novel is a delicious filigree of literary conventions, "a novel of manners" in the tradition of Austen, Dickens, and Alcott, which Oates turns on its head. Years ahead of its time, A Bloodsmoor Romance touches on murder and mayhem, ghosts and abductions, substance abuse and gender identity, women's suffrage, the American spiritualist movement, and sexual aberration, as the Zinn sisters come into contact with some of the nineteenth century's greatest characters, from Mark Twain to Oscar Wilde.
Pure Oates in its mordant wit, biting assessment of the American landscape, and virtuosic transformation of a literary genre we thought we knew, A Bloodsmoor Romance is a compelling, hilarious, and magical antiromance, a Little Women wickedly recast for the present day.
- Sales Rank: #388168 in eBooks
- Published on: 2013-10-22
- Released on: 2013-10-22
- Format: Kindle eBook
About the Author
Joyce Carol Oates is a recipient of the National Medal of Humanities, the National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, the National Book Award, and the PEN/Malamud Award for Excellence in Short Fiction. She is the Roger S. Berlind Distinguished Professor of the Humanities at Princeton University and has been a member of the American Academy of Arts and Letters since 1978.
Most helpful customer reviews
20 of 21 people found the following review helpful.
A Bloodsmoor Romance : A critique of the conditions of women in the nineteenth century
By Sameh Abdel-Galil
Taken at its face value, A Bloodsmoor Romance can be looked upon as a domestic romance where issues relating to marriage and securing husbands upon the part of the female species populating the novel occupy centre stage. However, events over the course of "600 pages of anti-romance" prove that there is more to the novel than being a mere replica of Austin's Pride and Prejudice or Suzan Warner's The Wide Wide World. Faithful to the romantic conventions, the novel introduces five marriageable girls but unlike a typical romance three of these five girls spurn marriage "... in their frenzied quest for their own fortunes in the wide world". Far from being "a reiteration of a more or less euphoric or depressed romanticism" (Women's time, Kristeva 43), A Bloodsmoor Romance is more of a critique of the conditions of women in the nineteenth century, conditions Oates sees lingering and spiraling into the modern day. Only the instruments of oppression are different this time.
10 of 11 people found the following review helpful.
American Genius
By Daniel Myers
Ms. Oates, in this second - after "Bellefleur" - novel of her "Gothic Trilogy" has now thoroughly convinced me that she is a literary genius of the first water. By penning a novel of over 600 pages all the while adhering to the - by 21st Century standards - ornate stylistic devices of 19th Century prosody, as well as maintaining, in her narrator, the stream of moralistically arch judgments peculiar to women writers of the era, Ms. Oates has created a time machine which envelops the reader in a sense of what it was like to breathe the very air of 19th Century America.
Of course, there's much more, more than I can cover in this review. The books in the trilogy are dubbed "Gothic" for a reason. And, from the first section, drolly entitled "The Outlaw Balloon," in which Deirdre is abducted by a man in a sable balloon, reminiscent of Poe's narrative of A. Gordon Pym, to "Deirdre of the Shadows" herself, reminiscent of the character in the Yeats' play "Deirdre of the Sorrows," all sorts of truly eerie, literary allusive events are related with stunning virtuosity.
If you are tired of the tripe that passes for "masterful" writing these days, I can suggest nothing more refreshing than to turn to the works of Ms. Oates, the "aesthetic power" of which - a term cribbed from this book - will leave you intellectually refreshed and convinced of the power of literature to transform your life.
18 of 18 people found the following review helpful.
Excellent take on the Victorian genre
By A Customer
The cover looked like a melodramatic grocery-store romance novel--it had a woman with billowing black hair and a breathtaken expression, wearing an extravagant 19th-century dress--and the back read, "One beauteous autumn day in 1879, a sinister black balloon swooped from the skies and abducted Miss Deirdre Zinn as her four sisters gaped, mute and terror-struck. For their family nothing was ever the same again..." If I hadn't known it was a parody, I would have been terribly alarmed and probably would have put it back on the shelves. But, having been notified of the fact, I laughed, and decided I had to read it. "Like a long Edward Gorey cartoon, or like Little Women as told by Stephen King," said one review in the front. Yes. It was just my sort of thing. Altogether, Ms. Oates captures the spirit of the times quite well, deftly mixing mentions of Edison and Walt Whitman and Poe into her characters' social lives, and including an intimate personal appearance by Mark Twain. Furthermore, as this book is highly amusing and deeply interesting, and barely at all disturbing, it shows that Joyce Carol Oates is an even more versatile author than I realized. Fans of Victorian literature will be delighted at this new take on the subject.
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