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Rabu, 31 Desember 2014

* PDF Ebook The Music Festival Mystery (Nancy Drew Book 157), by Carolyn Keene

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The Music Festival Mystery (Nancy Drew Book 157), by Carolyn Keene

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The International Friendship Club is sponsoring a fun weekend—but Nancy finds a melting pot of sabotage!

For Nancy and her friends, Worldbeat Weekend at Emerson College is supposed to be a good time. Nancy gets to spend time with her boyfriend, Ned, and everyone plans to enjoy music and food from around the world. But the two candidates running to be the next president of IFC are from rival countries, and when they accuse each other of smearing their campaigns with dirty tricks, the chaos begins.

Missing money and collapsing tents are just the start of the trouble. As tensions rise, the weekend spirals toward disaster. The local press is sniffing around. A public scandal would ruin IFC, and only Nancy can uncover the clues to track down the culprit in time!

Sales Rank: #1085779 in eBooks
Published on: 2013-05-21
Released on: 2013-05-21
Format: Kindle eBook

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One:Festival Weekend

Nancy Drew spotted the green-and-white sign she'd been looking for: Exit 9A -- Emerson College. She put on her blinker and steered her blue Mustang convertible off the interstate onto the exit ramp. As she neared the intersection, the light changed to red. She braked to a halt and tucked a strand of reddish blond hair behind one ear.

"We're almost there," she announced.

From the backseat, Nancy's friend Bess Marvin said, "Good thing. I'm starved!"

Bess's cousin George Fayne was in the front passenger seat. She laughed at Bess's announcement. "Duh," she said. "Admit it, Bess -- you're always starved!"

Nancy glanced over her shoulder. The warm breeze had tousled Bess's long blond hair and put a gleam in her bright blue eyes.

Bess folded her arms across her chest and gave a little shiver.

"Are you chilly?" Nancy asked with concern. "Should we put the top up?"

"Chilly? No way!" Bess replied. "I'm excited, that's all. I love world music, but I practically never get to hear any of it live. Why don't we have a festival like this back in River Heights?"

"Nobody to organize one, I guess," George said. She pulled her red-and-blue cap a little lower over her dark brown curls.

The light changed. Nancy turned right onto Campus Road.

George leaned forward to switch radio stations. A burst of syncopated drumbeats sounded over a thumping bass, and then a high voice wailed in a language Nancy didn't recognize. After a few moments the music faded.

"It's Friday and you're tuned to ECR, Emerson College Radio," the announcer said. "And that was the Rai Rebels, from Algeria."

"Wow!" Bess exclaimed. She grabbed George's shoulder. "I've got their CD. They are awesome!"

"The Rai Rebels are just one of the big attractions at this weekend's Worldbeat Festival," the announcer continued. "We'll tape all the performances for future broadcast. But if you want to hear them and all the other fantastic bands live, better get your tickets today. They're going fast!"

"Uh-oh -- I hope we can get in," George said.

"Don't worry," Nancy replied. A tune with a strong Latin beat came on. "Ned took care of getting tickets. He lined up places for us to stay, too."

Ned Nickerson was Nancy's longtime boyfriend. He was a student at Emerson College.

"I didn't know Ned was such a fan of world music," George remarked.

"He's not especially," Nancy told her. "But the president of the club that's sponsoring the festival is a friend of his -- a guy named Cyril. He's from Australia."

"An Aussie?" Bess said. "Cool. Is he cute? Does he have an accent?"

"Does he have a pet kangaroo?" George joked.

Nancy grinned. "No idea. You'll have to find out for yourselves. Anyway, it's really important to him for the festival to be a big success. So naturally Ned's pitching in. And, I don't know...I got a feeling there may be something funny going on. The kind of thing we might be able to help with."

"A mystery, you mean?" George asked quickly.

Nancy had a big reputation as a detective, and both George and Bess often helped in her investigations.

"Nothing I can put my finger on," Nancy said. "But it wouldn't hurt to keep an eye out for any problems."

"That's exciting," Bess said eagerly. "What about the Rai Rebels? Will they be around all weekend? Do you think I could meet them?"

Nancy and George laughed.

"Where are we meeting Ned?" George asked.

"He said to call him when we got there," Nancy replied. "Would you do it?"

George's shoulder bag was on the floor in front of her seat. She rummaged around and pulled out her cell phone. "What's the number?" she asked.

After Nancy told her, she punched in the numbers. In a second she said, "Hi, Ned, it's me, George. We're here, on Campus Road. Um, let me look....We just passed Harding Lane. Okay, see you."

She disconnected and turned to Nancy. "He says to park by the gym. He'll meet us there."

Nancy turned through a stone arch onto the Emerson campus. The lawns on either side of the tree-lined road were thick with students talking, reading, and playing Frisbee in the spring sunshine. Nancy followed the signs to the gym parking lot and pulled into a vacant space.

"Emerson College," she said, reaching for the button that raised the top. "Last stop."

Nancy got out of the car and straightened up. As she glanced around, she felt her heart give an extra thump.

Ned was striding across the parking lot toward them. A huge grin lit up his handsome face and dark eyes.

"Hey, there," he called. A moment later he was giving Nancy a hug that lifted her off her feet. As he put her down, he whispered in her ear, "I've missed you so much."

"I've missed you, too," Nancy whispered back.

After Ned said hi to Bess and George, the three girls retrieved their backpacks from the trunk. Then the group set off across campus.

"I told Cyril and some of the others we'd meet them at the student center," Ned said. "Are you hungry? We can get a bite while we're there."

"Sounds good," Nancy replied. Bess gave her a grateful look. "What's the program?"

"After you meet some of the gang, we'll get you settled in," Ned said. "I've got a festival steering committee meeting at six. You wouldn't believe how many last-minute details we have to take care of."

"What should we do about dinner?" Nancy asked.

"No problem," Ned assured her. "If you can wait, we can all grab something after the meeting. Then a local Afro-Cuban group is jamming at Holden Hall -- that's one of the dorms. Last time they played, they let me sit in on conga drum."

"Why, Ned," George said, "I didn't know you were a drummer."

Ned gave her an impish grin. "If you'd been there and heard me, you'd know I'm not. I had a lot of fun pretending, though."

"What about the Rai Rebels?" Bess asked. "I can't wait to hear them live."

"Don't worry, you will. They're part of the concerts on Saturday and Sunday on the quad," Ned told her, "And I think they're playing at the dance Saturday night, too."

Bess's eyes sparkled with anticipation. The weekend had barely started, but Nancy could see that for Bess, it was already a great success.

The student center was a big old-fashioned building that had once been the president's mansion. They pushed through the carved oak doors and paused to look around. The entrance hall was two stories high, with wood-paneled walls and tall, narrow stained-glass windows. The row of computer terminals against one wall looked out of place in such an antique setting.

The aroma of french fries and hamburgers drifted over from a grill at the far end of the hall. Ned looked past Nancy and waved to someone at one of the tables set up in the center of the room.

Nancy turned. A tall, muscular guy with light brown hair and a deep tan was smiling and waving back. On his T-shirt was a blindingly bright graphic of a surfer and the words Bondi Beach.

Nancy remembered that Bondi Beach was a famous surfing spot in Australia. Aha! she thought. That must be Cyril.

"Hey, Cyril," Ned called. "Come meet our visitors."

After the introductions, Bess asked, "Why don't you have more of an accent?"

George winced and nudged Bess with her elbow. Bess gave her an injured look, then added, "I'm sorry, I didn't mean to offend you."

Cyril grinned. "Offend me, Bess? Not a bit of it," he replied. "I've a fair dinkum accent. But I syve it for when I'm wif me mytes. If Mel Gibson can sound like he's from Kansas City, why can't I?"

"Hello. You must be Ned's friends from River Heights," a soft voice said.

"Oh, hi, Joann," Ned said to a thin girl with straight short black hair. "Meet Nancy, Bess, and George. George, Joann offered to put you up."

"Great," George said. "I really appreciate it."

"Joann? Is that an Asian name?" Bess wondered out loud. George nudged h

Most helpful customer reviews

2 of 2 people found the following review helpful.
Amazing Twists! You must read it!
By A Customer
This is a wonderful book! It has you thinking one person then another. I would of rated this book a four and a half because, the plot was a bit mixed but they didn`t have that so 5 was close enough. The case was that someone seemed to be sabotoging the I.F.C. The 2 people running for president are from rival countrys and blame everything on each other! THIS BOOK has some really, really cool twits! I really recamend this book to everyone!

1 of 1 people found the following review helpful.
A really good book:)
By A Customer
This book is a full-of-suspense story, and keeps you reading. Nancy is looking forward to spending time at Ned's college, but someone is trying to ruin the election for the running candidates of the International Friendship Club. You would love the book!

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Selasa, 30 Desember 2014

~~ Get Free Ebook Shadow Men (The Max Freeman Mysteries Book 3), by Jonathon King

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Book three of the bestselling Max Freeman mystery series: Max seeks to uncover the twisted truth behind an eighty-year-old triple homicide

In the 1920s, three of Mark Mayes’s ancestors left to help build the first road through the Everglades—backbreaking labor from which they never returned. Now, decades later, Mayes has discovered letters that point to murder as the cause of their disappearance, and he hires Max Freeman to get to the bottom of it all. But as Freeman follows the trail of evidence, he incurs the wrath of the corporation that built the road, and finds that the murder case may not be as cold as everyone assumed. Freeman’s search takes him to the heart of the Everglades to reveal the truth behind the murders—and put a stop to a cycle of violence three generations in the making. This ebook contains an illustrated biography of the author featuring never-before-seen photos.

Sales Rank: #182420 in eBooks
Published on: 2010-10-14
Released on: 2010-10-14
Format: Kindle eBook

From Publishers Weekly
Though moody ex-Philadelphia cop Max Freeman has found a measure of peace in life, he faces some of the same challenges in King's third stellar outing as he did in last year's Visible Darkness. Government types are still trying to evict him from his Everglades hideaway, his love life is tenuous and friend/attorney Billy Manchester has once again piqued his interest with a case. Max, now a fully licensed PI in Florida, agrees to look into the disappearance of a father and two sons who signed on for three weeks of work on the Tamiami Trail 80 years earlier and never made it home. Built across the Everglades, the trail is the stuff of legend, filled with murky water and murkier deeds, snakes and gators and untimely death. The case, of course, is more complicated than it seems, with corporate intrigue, intimidation and the sins of fathers raining unmercifully down on their sons. As usual, Max is aided by a lively cast of characters, including the mysterious Nate Brown, whose knowledge of the Glades and its secrets is part of his being. King strikes a deft balance between his extraordinary South Florida setting and an engrossing tale of inhumanity and greed. This fine novel resonates with the atmosphere and immediacy of the Everglades, as well as with Max's struggle to define himself in an often hostile world.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Welcome to Max Freeman's world. It centers on an abandoned research shack on a river at the edge of the Florida Everglades. It's lit by an oil lamp. The furniture? A couple chairs, a table, and a bunk bed, the top bunk of which is loaded with travel and history books. Freeman, introduced in the Edgar-winning Blue Edge of Midnight (2002) and met again in A Visible Darkness [BKL F 1 03], may be the most thoughtful, well-read, and multilayered private-eye hero since Spenser. He's an ex-cop from Philadelphia with a history that keeps him holed up in the wilds, venturing forth only to do investigations for an old friend, an attorney. The third Freeman novel gets its unlikely impetus from a discovery in an antique hope chest, letters from a worker on the Tamiami Trail, a road project through the Everglades undertaken 80 years ago. The letters detail the brutal conditions under which the men and boys worked. The disappearance of the letter-writer and his two sons points to a triple homicide in 1923. (The stunning first chapter showing the three men being hunted down on the river ranks among the most frightening in crime fiction.) Freeman's investigation quickly moves from history to present threat, as he discovers that any number of people want what happened on the road project to remain buried. Haunting and evocative. Connie Fletcher
Copyright © American Library Association. All rights reserved

Review

“Backs up its detailed police procedure with entertaining, quirky characters . . . You’ll feel right with [Max] at the scene of the crime.” —People“Captures the intrigue, lyrical beauty, and darkness of the Florida Everglades better than any other writer.” —James Lee Burke

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0 of 0 people found the following review helpful.
Everglades suspense
By MambomanOn2
Wonderful style, terrífic local color, great plot, very natural dialogue, good character development..Nice bits of Florida history.

11 of 11 people found the following review helpful.
Third Book Relocates Bulk of the Action to the Everglades
By Craig Larson
I can remember reading King's debut, _The Blue Edge of Midnight_ and thinking it had best debut Edgar written all over it (it did win that award). So I was excited when his second book came out. Unfortunately, I wasn't quite as impressed by this second novel, _A Visible Darkness_. In moving the action away from the Everglades, where his character, Max Freeman, an ex-policeman turned private detective lived in virtual isolation, a lot of the magic of the debut was lost. Apparently, King learned from this because book three focuses again on the Everglades and is a real keeper.

_Shadow Men_ involves the search for three men, a father and his two sons, who may have been killed 80 years before during the construction of the first road across the Everglades. All that one of their descendants has to go by are a few letters, which hint at some rather nefarious goings-on at the work site. Apparently, the company which had hired the men wasn't so willing to let them go, once they became disenchanted with the tropical heat and the clouds of mosquitoes.

Someone in the present day isn't too excited either about Max and his lawyer friend, Billy Manchester, digging into this old mystery. Apparently, if the chain of evolution (what company turned into what company, etc.) can be uncovered, a modern corporation can be held liable for something done decades ago.

The action in the novel moves around a lot, but it remains firmly focused on the Everglades themselves, as Max and the old Gladesman Nate Brown, who made an appearance in the second book, search for what may or may not be the final resting place of the three men. There are some great, atmospheric sequences that take place out in the swamps and a memorable scene has Max and Nate crawl into the darkness of a (hopefully) abandoned alligator hole to hide from a couple of men who are tracking them.

Coupled with a subplot that involves Max's policewoman girlfriend and a friend of hers, also a policewoman, who is being stalked by her abusive policeman boyfriend, a subplot that connects directly to Max's past, the book literally flies along. It is very fast-moving and, ultimately, very, very satisfying. Easily one of the best mysteries I've read this year.

2 of 2 people found the following review helpful.
The Third Book's a Charmer
By Burgmicester
Having enjoyed the first Jonathon King novel, The Blue-Edge of Midnight, I was then disappointed with the second, Visible Darkness; but his third book is again right on the money. Starting with a grabbing intro and then moving right to the meat of the mystery, this book takes you from the beginning and just doesn't let go.

Max Freeman, our now not so lonely and now Private Investigator, meets with Billy Manchester about an 80 year old suspected disappearance of several family members that is being investigated by the grandson and nephew of the long gone trio. Letters are introduced and then as the tale unfolds, more information is slowly handed to the reader.

Again this book takes place mostly in the Everglades National Park and therefore the writing skills of King transport the reader directly into the story. There are a couple of plotlines going here and with the onion of Freeman's past life again being peeled back, we get a book full of interesting writing that had me totally absorbed.

The mystery is not overly complicated and the story unfolds cleanly. The characters are beginning to take front and center in this series and call for more once the ending is revealed. There are questions about the characters that remain unanswered waiting for the next installment.

Although not a five star book - I reserve that for very special editions, it ranks a solid four star.

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! PDF Download Paths toward the Modern Fiscal State, by Wenkai He

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Wenkai He shows why England and Japan, facing crises in public finance, developed the tools and institutions of a modern fiscal state, while China, facing similar circumstances, did not. He’s explanation for China’s failure at a critical moment illuminates one of the most important but least understood transformations of the modern world.

Sales Rank: #1353556 in eBooks
Published on: 2013-03-01
Released on: 2013-03-01
Format: Kindle eBook

Review
A genuinely important piece of scholarship that has the potential to become a benchmark in the literature. The author combines new institutionalism, comparative historical sociology, and first-rate historical scholarship to make a novel and compelling explanation for the rise of the modern fiscal state. This book will be of particular interest today, given its relevance to the debt and credit crises that so many countries in the developed world are currently experiencing. (Daniel Little, University of Michigan–Dearborn)

An outstanding work that takes on a classic subject in a new way. In its sweeping transnational synthesis, careful research, and perceptive analysis, Paths toward the Modern Fiscal State is a major achievement, the first of its kind in its field. (Mark Metzler, University of Texas at Austin)

About the Author
Wenkai He is Assistant Professor in the Division of Social Science at Hong Kong University of Science and Technology.

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** Ebook Download Bus Station Mystery (The Boxcar Children Mysteries Book 18), by Gertrude C. Warner

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A puzzle in relationships concerns two boys ejected from the bus station.

Sales Rank: #198545 in eBooks
Published on: 2010-12-14
Released on: 2010-12-14
Format: Kindle eBook

From the Inside Flap
A puzzle in relationships concerns two boys ejected from the bus station.

About the Author
Gertrude Chandler Warner was born in 1890 in Putnam, Connecticut, where she taught school and wrote The Boxcar Children because she had often imagined how delightful it would be to live in a caboose or freight car. Encouraged by its success, she went on to write eighteen more stories about the Alden Children.

David Cunningham is a published author and an illustrator of children's books. Some of the published credits of David Cunningham include: The Memory Box, Caboose Mystery (Boxcar Children), A Crow's Journey.

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10 of 11 people found the following review helpful.
The Aldens take a trip
By Jeanne Tassotto
The Alden children (Henry 16, Jessie 14, Violet 12 and Benny 7) decide to take a trip to a nearby town. While they were waiting to change buses along the way they met the mysterious station manager, Frank and soon found themselves involved in the local problems. A factory was destroying the nearby river and tearing the town apart. Would the Aldens and the town be able to find a way to keep the needed jobs without destroying the river?

This 1974 entry into the long running Boxcar Children series of mysteries was one of the last to be written by the series originator, Gertrude Chandler Warner, who had begun the series in the 1940's with the idea of combining simple vocabulary with high interest plots aimed at beginning readers. Her idea and characters were a great success and have been enjoyed by generations of young readers since. The mysteries involved are slight, the characterizations do not go into depth and the solutions are simplistic to a sophisticated reader but to the target audience of beginning readers they are thrilling. The cliff hanging style of writing keeps them turning page after page to see what is next until they reach the end of these chapter books.

3 of 4 people found the following review helpful.
Review by 9 Year Old Lily
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Senin, 29 Desember 2014

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Taking the reader through the underlying principles of molecular translational dynamics, this book outlines the ways in which magnetic resonance, through the use of magnetic field gradients, can reveal those dynamics. The measurement of diffusion and flow, over different length and time scales, provides unique insight regarding fluid interactions with porous materials, as well as molecular organisation in soft matter and complex fluids. The book covers both time and
frequency domain methodologies, as well as advances in scattering and diffraction methods, multidimensional exchange and correlation experiments and orientational correlation methods ideal for studying anisotropic environments. At the heart of these new methods resides the ubiquitous spin echo, a
phenomenon whose discovery underpins nearly every major development in magnetic resonance methodology. Measuring molecular translational motion does not require high spectral resolution and so finds application in new NMR technologies concerned with 'outside the laboratory' applications, in geophysics and petroleum physics, in horticulture, in food technology, in security screening, and in environmental monitoring.

Sales Rank: #2629363 in eBooks
Published on: 2011-09-15
Released on: 2011-09-15
Format: Kindle eBook

Review

"This book is most likely going to become 'the' book for NMR-based studies of translational dynamics for quite some time: a great reference point not just for NMR in translational dynamics but for everyone interested in NMR applications beyond mere chemical structure determination." -- Nikolaus Nestle, Technical University, Darmstadt, Germany

About the Author

Paul Callaghan is a world leader in the use of magnetic field gradients to measure molecular translational motion, having led most of the major advances for the past 30 years. He was made Professor of Physics in 1984, and was appointed Alan MacDiarmid Professor of Physical Sciences in 2001. The sole-authored and co-authored output of Callaghan and his co-workers is represented by some 250 scientific papers and 3 patents, and by a definitive research monograph. This work has been recognized by a Fellowship of the Royal Society of New Zealand (1991), The Royal Society of London (2001), the (European) Ampere Prize (2004), The (NZ) Cooper (1991), Mechaelis (1994), Hector (1998), and Rutherford Medals (2006), and by Callaghan's election as President of the International Society of Magnetic Resonance (2008), appointment as Associate Editor of
the Journal of Magnetic Resonance (2009), and award of the Gunther Laukien Prize for Magnetic Resonance (2010).

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A unique look at the meaning of the taste for wine in Britain, from the establishment of a Commonwealth in 1649 to the Commercial Treaty between Britain and France in 1860 - this book provides an extraordinary window into the politics and culture of England and Scotland just as they were becoming the powerful British state.

Sales Rank: #3487615 in eBooks
Published on: 2016-01-12
Released on: 2016-01-12
Format: Kindle eBook

Review

"...a superb contribution, not only to the growing field of food history but also to our deeper appreciation of the evolution of political and cultural life in England and Scotland." - David Hancock, The Journal of Modern History

"Great wine books, like great vintages, are often more hyperbole than reality. In fact, they are both rare. Charles Ludington's 2013 book, The Politics of Wine in Britain: A New Cultural History, is unlike anything that has come before in its depth of research and its particular focus. At the risk of taking the analogy too far, Ludington has written a wine book for the ages." - Kevin D. Goldberg, Journal of Wine Economics

"...this is a very different book on wine that's wholly entertaining and excellently researched, particularly if you're a student of the era or are fascinated by how wine was perceived and manipulated politically in previous centuries." - Paul O' Doherty, Jancis Robinson

"Ludington employs a rich variety of quantitative data, with careful attention to the strengths or weaknesses of official figures as smuggling ebbed and flowed in reaction to policies. A variety of methodologies are creatively employed to produce a book that will fascinate a range of historians, students, and wine-lovers. This volume intrigues, entertains, and illustrates the power of a single commodity to reveal new and significant insights into past societies." - Beverly Lemire, The American Historical Review

"...imaginative, ambitious and well-researched [...] Charles Ludington presents a provocative theory analyzing how changes in alcohol consumption constituted power, influence and legitimacy in politics over two centuries." - David Gutzke, Reviews in History

About the Author
Charles Ludington is Teaching Associate Professor of History at North Carolina State University, USA. He has published widely on the history and political meanings of wine, and has won numerous teaching awards. He recently received a Marie Curie-Sklodowska Fellowship from the European Commission and will be researching the role of Irish merchants in the invention of luxury Bordeaux wines in the long-eighteenth century.

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4 of 4 people found the following review helpful.
Outstanding book for professional and lay readers
By Hissan C. Waheed
The author does an outstanding job of presenting a very interesting period of time with incisive commentary and wit that can be enjoyed by historians as well as ordinary people!

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Minggu, 28 Desember 2014

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Binding: Hardcover

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A kingdom's safety

Betrayed by those she loves, Honoria Escalona must now face the only man capable of bringing stability to the Mediterranean kingdom of Mecjoria. A cold, hard man who once called her his friend… Alexei Sarova—the true King of Mecjoria.

In exchange for her happiness

But Alexei's tortuous past has changed him into someone she hardly knows. He blames Ria's family for his bitterness, and his help—when he offers it—comes with a price: he'll take his rightful place as King with Ria as his wife, until she produces a true-blood heir….

Sales Rank: #696817 in eBooks
Published on: 2013-06-01
Released on: 2013-06-01
Format: Kindle eBook

About the Author
Kate Walker was always making up stories. She can't remember a time when she wasn't scribbling away at something and wrote her first “book” when she was eleven. She went to Aberystwyth University, met her future husband and after three years of being a full-time housewife and mother she turned to her old love of writing. Mills & Boon accepted a novel after two attempts, and Kate has been writing ever since. Visit Kate at her website at: www.kate-walker.com

Excerpt. © Reprinted by permission. All rights reserved.
He was coming. The sound of footsteps in the corridor outside told her that. Brisk, heavy footsteps, the sound of expensive leather soles on the marble floor.

A big man, moving fast and impatiently towards the room where she had been told to wait for him. A room that was not as she had expected, but then nothing had been as she had expected since she had started out on this campaign, least of all this man she hadn't seen in so long. It had been more than ten years since she had spoken to him, but they would now be coming face to face in less than thirty seconds.

How was she going to handle this?

Ria adjusted her position in the smart leather chair, crossing one leg over the other then, rethinking, moving it back again so that her feet were neatly on the floor, placed precisely together in their elegant black courts, knees closed tight, her blue and green flowered dress stretched sleekly over them. Lifting her hand, she made to smooth back a non-existent wandering strand of dark auburn hair. Her style would be immaculate, she knew. She'd pulled her hair back tightly from her face so that there was nothing loose to get in a mess or distract her. Nothing to look frivolous or even carefree. That was not the image she'd aimed for.

She'd even fretted at the thought that her dress might be a little too casual and relaxed when she'd put it on, but the below knee length of the swirling skirt covered her almost as much as the tailored trousers she'd considered wearing, and the lightweight black linen jacket she'd pulled on over the top added a needed touch of formality that made her feel better.

The room she sat in was sleek and sophisticated with pale wood furniture. Far sleeker and much more luxurious than she had ever anticipated. One of the soft grey walls displayed a set of dramatic photographs, sharply framed. In black and white only, they were the sort of images that had made Alexei Sarova his reputation and his fortune. They were superb, stunning but— Ria frowned as she looked at them. They were bleak and somehow lonely. Photographs of landscapes, places, no people in them at all. He did sometimes photograph people—she knew that from the magazines she had read and the stunning images that had appeared in the articles—but none of those commissions were displayed here.

Outside the door, those determined, heavy footsteps slowed, then halted and she heard the murmur of voices through the thick wood, the deep, gravelly tones making it plain that the speaker was a man.

The man. The one she had come here to meet, to give him the message that might save her country from all-out civil war, and she had vowed that she was not leaving until she had done so. Even if the nerves in her stomach tied themselves into tight, painful knots at the thought and her restless fingers had started to beat an unsettled tattoo on the wooden arm of the chair.

'No!' Ria reproved herself aloud. 'Stop it! Now!'

She brought her nervous hand together with the other one, to clasp them both demurely in her lap, forcing herself to wait with every semblance of control and composure, even if the churning of her stomach told her that this was very far from the case. Too much rested on this meeting and she wasn't really sure that she could handle it.

Oh, this was ridiculous! Ria drew in a deep, ragged sigh as she put back her head and stared fixedly at the white-painted ceiling, fighting for control of her breathing. She should be well able to cope with this. She'd been trained practically from birth to meet strangers, talk with them, making polite social chit-chat at court events. It was what she could do as naturally as breathing while all the time keeping her head up high, her spine straight so that she looked as good as possible, with first her nanny's then her father's voice in her ear, telling her that the reputation of the Escalona family—an offshoot of the royal family—should be the first and foremost thing in her mind.

She could talk to presidents' wives about their trips round the glass-making factories, discuss the agricultural output of the vineyards, the farms. She could even, if she was allowed, converse intelligently on the vital role of exports, or the mining of eruminum, the new miracle mineral that had just been discovered in the Trilesian mountains. Not that she was often asked to do any such thing. Those important details were usually left to her grandfather or, until recently, to her second cousin Felix, the Crown Prince of Mecjoria.

But she had never before had to deal with any mission that meant so much in the way of freedom, both to her country and herself. That restless hand threatened to escape her careful control and start its nervous tattoo all over again at just the thought.

'Do it, then.'

The voice from the corridor sounded sharp and clear this time, bringing her head up in a rush as she straightened once again in her chair. Shoulders back, head up… She could almost hear her father's strict commands as she drew in a long, deep breath to calm herself as she had done on so many other previous occasions.

But this wasn't one of those events. This man wasn't exactly a stranger and polite chit-chat was the last thing she expected to be exchanging with him.

The handle turned as someone grasped it from the other side. Ria tensed, shifted in her chair, half-looked over her shoulder then rethought and turned back again. She didn't want him to think that she was nervous. She had to appear calm, collected, in command of the situation.

Command. The word rang hollowly inside her head. Once she had only to command something and it would be hers. In just a few short months her life had been turned upside down, and in ways that made her status in society the least of her concerns, so that now nothing was as it had ever been before, and the future loomed ahead, dark and dangerous.

But perhaps if she could manage this meeting with some degree of success she could claw back something from the disaster that had overtaken her country—and family. She could hope to put right the wrongs of the past and, on a personal level, save her mother's happiness, her sanity, possibly. And for her father… No, she couldn't go there, not yet. Thoughts of her father would weaken her, drain away the strength she needed to see this through.

'I'll expect a report on my desk by the end of the day.'

The door was opening, swinging wide. The man she had come to see was here, and she had no more time to think.

As he entered the doorway her heart jerked sharply under her ribcage, taking her breath with it. For the first time she felt suddenly lost, vulnerable without the ever-present security man at her back. All her life he had been there, just waiting and watching in case he was needed. And she had come to rely on him to deal with any awkward situation.

The once ever-present security man, she reminded herself. The protection that was no longer there, no longer part of her life or her status here or in her homeland of Mecjoria. She was no longer entitled to such protection. It was the first thing that had been stripped from her and the rest of her family in the upheaval that had followed Felix's unexpected death, and the shocking discovery of her father's scheming in the past. After that, things had changed so fast that she had never had time even to think about the possible repercussions of the changes and to consider them now, with the possible consequences for her own future, made her stomach twist painfully.

'No delays… Good afternoon.'

The abrupt change of subject caught Ria on the hop. She hadn't quite realised that his companion had been dismissed and that he was now in the room, long strides covering the ground so fast that he was halfway towards her before she realised it.

'Good afternoon.'

It was stronger, harsher, much more pointed, and she almost felt as if the words were hitting her in the small of her back. She should turn round, she knew. She needed to face him. But the enormity of the reason why she was here, and the thought of his reaction when she did, made it difficult to move.

'Miss.'

The warning in his tone now kicked her into action, fast. Her head jerked round, the suddenness and abruptness of the movement jolting her up and out of her seat so that she came to her feet even as she swung round to face him. And was glad that she had done so when she saw the size and the strength of his powerful form. She had seen pictures of him in the papers, knew that he was tall, dark and devastating, but in the 3D reality of living, breathing golden-toned flesh, deep ebony eyes and crisp black hair, he was so much more than she had ever imagined. His steel-grey suit hugged his impressive form lovingly, the broad, straight shoulders needing no extra padding to enhance them. A crisp white shirt, silver and black tie, turned him into the sleek, sophisticated businessman who was light-years away from the Alexei she remembered, the wiry boy with the unkempt mane of hair who had once been her friend buried under the expensive tailoring. Snatching in a deep, shocked breath, she could inhale the tang of some citrus soap or shampoo, the scent of clean male skin.

'Good afternoon,' she managed and was relieved to hear that her control over her voice was as strong as she could have wanted. Perhaps it made it sound a little too tight, too stiff, but that was surely better than letting the tremor she knew was just at the bottom of her thoughts actually affect her tongue. 'Alexei Sarova, I assume.'

He had been moving towards her but her response had a shocking effect on him.

'You!' he said, the single word thick and dark with hostility.

He stopped dead, then swung round back towards the door, grabbing at the handle to stop it slotting into the frame. This was worse than she had expected. She had known that she would have to work hard to get him to give her any sort of a hearing, but she hadn't expected this total rejection.

'Oh—please,' Ria managed. 'Please don't walk out.'

That brought his head round, the black, glittering eyes looking straight into hers, not a flicker of emotion in their polished depths.

'Walk out?'

He shook his dark head and there was actually the faintest hint of a smile on those beautifully sensual lips. But a shiver ran down Ria's spine as she saw the way that that smile was not reflected in his eyes at all. They remained as cold and emotionless as black glass.

'I'm not walking out. You are.'

It was far worse than she had expected. She hadn't really believed that he would recognise her that fast and that easily. Ten years was a long time and they had been little more than children when they had last had any close contact. She knew she was no longer the chubby, awkward girl he had once known. She was inches taller, slimmer, and her hair had darkened so that it was now a rich auburn instead of the nondescript brown of her childhood. So she had expected to have to explain herself to him. But she had thought that he would wait to hear that explanation, had hoped, at least, that he would want to know just why she was here.

'No…' She shook her head. 'No, I'm not.'

Dark eyes flashed in sudden anger and she barely controlled her instinctive shrinking away with an effort. Royal duchesses didn't shrink. Not even ex-royal duchesses.

'No?'

How did he manage to put such cynicism, such hostility into one word?

'I should point out to you that I own this building. I am the one who says who can stay and who should go. And you are going.'

'Don't you want to know why I'm here?'

If she had thrown something into the face of a marble statue, it couldn't have had less effect. Perhaps his stunning features became a little more unyielding, those brilliant eyes even colder, but it was hard to say for sure.

'Not really. In fact, not at all. What I want is you out of here and not coming back.'

No, what he really wanted was for her never to have come here at all, Alexei told himself, coming to a halt in the middle of his office, restless as a caged tiger that had reached the metal bars that held him imprisoned. But the truth was that it wasn't anything physical that kept him captive. It was the memories of the past that now reached out to ensnare him, fastening shackles around his ankles to keep him from getting away.

He had never expected to see her or anyone from Mecjoria ever again. He thought he had moved on; he'd turned his life around, made a new existence for himself and his mother. It had taken years, sadly too many to give his mother the life she deserved as she'd aged, but he'd got there. And now he was wealthier than he'd ever been as a…as a prince, his mind finished for him, even though it was the last thing he wanted. He had no wish to remember anything about his connection to the Mecjorian royal family—or the country itself. He had severed all links with the place—had them severed for him—and he was determined that was the way it was going to stay. He would never have looked back at all if it hadn't been for the sudden and shockingly unexpected appearance of Ria here in this room.

He waited a moment and then pulled the door open again. 'Or do I have to call security?'

Ria's eyebrows rose sharply until they disappeared under her fringe as she turned a cool, green gaze on him.

Suddenly she had become the Grand Duchess she was right before his eyes and he loathed the way that made him feel.

'You'd resort to the heavy gang? That wouldn't look good in the gossip columns. "International playboy needs help to deal with one small female intruder".'

'Small? I would hardly call you small,' he drawled coolly. 'You must have grown—what?—six inches since I saw you last?'

She had grown in other ways too, he acknowledged, admitting to himself the instant and very basic male reaction that had taken him by storm in the first moments he had seen her. Before he had realised just who she was.

He hadn't seen such a stunning woman in years—in his life. Everything that was male in him had responded to the sight of her tall, slender figure, the burnished hair, porcelain skin, long, long legs.

And then he had realised that it was Ria. She had grown up, grown taller, slimmed down. Her face had developed planes and angles where there had once been just firm, round, apple-rosy cheeks. He had loved those cheeks, he admitted to himself. They had been soft and curved, so smooth, that he had loved to pinch them softly, pretending he was teasing but knowing that what he actually wanted was to feel the satin of her skin, stroke it with his fingertips. These days, Ria had cheekbones that looked as if they would slice open any stroking finger, and the rosy cheeks were carefully toned down with skilful make-up. The slant of those cheekbones emphasised the jade green of her eyes, and the soft pink curve of her mouth, but it was obvious that any softness in her appearance was turned into a lie by the way she behaved.

Most helpful customer reviews

6 of 7 people found the following review helpful.
Zero Stars
By Love junkie
Firstly, I do not understand any of the 5 Star ratings- which is one way I decide whether or not to purchase.

This book was a total bore. Most of the book was inner dialogue and very little dialogue/ communication between the hero and heroine. The first 45% of the book was just one very long, boring, boring, boring drawn out scene in which nothing happened, the same thoughts kept being repeated and we as readers learn very little about our characters and their motivations.

The second half of the book didn't get much better but moved along at a slightly faster pace. The love story was hard to follow and the declaration at the end was totally unbelievable ( even for a harlequin romance)

In essence, the heroine was all about duty and the hero was all about revenge and misplaced loyalty

It took me forever to read this book because it was just very uninteresting and didn't captivate me. It's not one of the books that you want to stay up late at night reading. It's one of those books where you force yourself to finish because you spent money on it

3 of 3 people found the following review helpful.
A THRONE FOR THE TAKING
By Alexa Verde
A THRONE FOR THE TAKING is everything a reader expects from a book written by Kate Walker: passion-fueled romance, emotional depth, strong yet vulnerable heroine, and alpha-male hero. It is a much welcome return of a great romance writer who'd written so many wonderful books but had been missing from a scene for a year.

Ria has once made the understandable mistake of trusting her father more than she trusted her childhood friend Alexei. Now Alexei is the very man she has to ask for help to save her country. Setting her pride and her fear aside, she is determined to do what's right. If Alexei accepts the throne, it would also save her from an arranged marriage to a man she despises. But is she ready for what Alexei has in mind? Can Alexei forgive and forget what had happened to him and open his heart to Mecjoria - and Ria?

It was one of very few royal romances I've read, and it made me escape into a different world of splendor and intrigues. Disclosure: the book was a gift to me but it in no way influenced the review. I love books by Kate Walker and always read them with great pleasure.

5 of 6 people found the following review helpful.
Characters quite ridiculous
By ReadytoRead
I didn't understand this book at all. The lady begged the man to return to their home, and then promptly treats him like dirt. She was the one who needed this huge sacrifice and favor from the guy.

The guy talked about revenge, but the biggest revenge would have been to do nothing and let the country implode. So, I didn't understand his motivation or the plot at all. The guy spent his time while they were on the plane, trying to convince the lady why he should go to back to their home. I am like, huh, shouldn't the lady be trying to convince him?

And all this inner dialogue, too much.

The book was quite ridiculous. When the lady spoke, I just laughed and when the man spoke, I just scratched my head.

On top of this, it was extremely slow. I put the book down so many times - still haven't finished.

See all 9 customer reviews...

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Senin, 22 Desember 2014

# Free PDF Forgive Me, I Meant to Do It: False Apology Poems, by Gail Carson Levine

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This Is Just to Say

If you’re looking for a nice happy book

put this one down and run away quickly

Forgive me sweetness and good cheer are boring

Inspired by William Carlos Williams’s famous poem ”This Is Just to Say,” Newbery Honor author Gail Carson Levine delivers a wickedly funny collection of her own false apology poems, imagining how tricksters really feel about the mischief they make. Matthew Cordell’s clever and playful line art lightheartedly captures the spirit of the poetry. This is the perfect book for anyone who’s ever apologized . . . and not really meant it.

Sales Rank: #191465 in eBooks
Published on: 2013-08-27
Released on: 2013-08-27
Format: Kindle eBook

From School Library Journal
Gr 4-6-These spare, sly poems use inference to tell tall tales of deceit and betrayal among family members, friends, and fairy-tale characters. "I have shortened my nose with your saw/because honestly telling lies is so much fun./Forgive me I don't care about becoming a real boy."α(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Review
“A playful primer on insincerity for budding poets. This mischievous collection is sure to engage the devilish side of readers of all ages.” (Kirkus)

“Readers will enjoy sharing the surprising selections, which will make them rethink what they thought they knew.” (Booklist (starred review))

“Levine models more than 40 poems after William Carlos Williams’s “This Is Just to Say,” taking its quasi-repentant tone to a whole new level. Poetry fans fine-tuning their sense of sarcasm need look no further. ” (Publishers Weekly (starred review))

“Gleeful false-apology poems. Taking as her model William Carlos William’s poem about purloined plums, “This Is Just to Say,” Ms. Levine has devised verses written from the point of view of any number of unrepentant malefactors. Matthew Cordell’s comic drawings leaven the mordant wit.” (Wall Street Journal)

“Gail Carson Levine’s gleefully snarky poems in “Forgive Me, I Meant to Do It” go a long way in turning this high-minded literary form into a joy for youngsters – and their adults.” (Sacramento Bee)

“The collection overall possesses appealing irreverence and vitality. The open and breezy format adds accessibility, with each spread offering one or two of the terse verses offset by Cordell’s humorous art, monochromatic, wittily scrawled images often containing their own exclamations or sound effects.” (Bulletin of the Center for Children’s Books)

Praise for A Tale of Two Castles:“A thoroughly delicious romp from the author of Ella Enchanted. The plot is winningly unpredictable, the characters easy to relate to, the humor subtle and the action well-paced. Newbery Honor-winner Levine has once again breathed new life into old stories.” (Kirkus Reviews (starred review))

Praise for A Tale of Two Castles:“Readers are certain to be pulled, like Elodie herself, right into the midst of the rich and swirling life of Two Castles.” (School Library Journal)

Praise for Writing Magic:“Levine encourages readers to take their work seriously while remembering to have fun. An informative and encouraging must-read for young writers.” (School Library Journal (starred review))

Praise for Writing Magic:“A veritable treasure trove of advice and guidance for writers across a range of ages.” (Bulletin of the Center for Children’s Books)

Praise for Writing Magic:“Writing Magic is a great introduction to writing for children. The “voice” is upbeat and not condescending. It is clearly written, and includes examples when they are needed. As far as I know, there is nothing else like this available.” (Harold Underdown, author of The Complete Idiot's Guide to Publishing Children's Books)

About the Author

Gail Carson Levine's first book for children, Ella Enchanted, was a Newbery Honor Book. Levine's other books include Ever, a New York Times bestseller; Fairest, a Best Book of the Year for Publishers Weekly and School Library Journal, and a New York Times bestseller; Dave at Night, an ALA Notable Book and Best Book for Young Adults; The Wish; The Two Princesses of Bamarre; A Tale of Two Castles; and the six Princess Tales books. She is also the author of the nonfiction books Writing Magic: Creating Stories That Fly and Writer to Writer: From Think to Ink, as well as the picture books Betsy Who Cried Wolf and Betsy Red Hoodie. Gail Carson Levine and her husband, David, live in a two-centuries-old farmhouse in the Hudson Valley of New York State.

Matthew Cordell spilled a whole bottle of ink while drawing this book. Forgive him, white carpet is painfully boring. Matthew lives in the suburbs of Chicago with his wife, writer Julie Halpern, and their daughter, Romy. He is the author and illustrator of Trouble Gum and the illustrator of Toot Toot Zoom!, Mighty Casey, Righty and Lefty, and Toby and the Snowflakes, which was written by his wife.

Most helpful customer reviews

17 of 18 people found the following review helpful.
Faux apology accepted
By E. R. Bird
I tend to run my bookgroup for kids between the ages of 9-12 like a gentle dictatorship. I choose the books, the kids vote on them, and so it goes. Now if the kids had their way we'd be reading fantasy novels day in and day out every single week. With that in mind, I like to try to make them read something a little different once in a while. For example, one week I might try to get them to read a Newbery winner. The next I would try to encourage them to dip into some nonfiction. One type of book I haven't had the nerve to attempt for years, though, is poetry. Finding a really good, really interesting, really smart book of poetry for kids of that age is tricky stuff. Poetic tastes vary considerably, so it's best to start with a book with a hook. And by hook or by crook, Forgive Me, I Meant to Do It is basically the answer to my prayers I've been seeking all these long and lonely years. It has everything. Humor, engaging illustrations, a clever premise, potential (and very fun) applications, and a passive aggressive streak that's nearly a mile long.

Do you know that old William Carlos Williams poem about the plums in the icebox? The one that calls itself "This is Just to Say"? When you think about that poem, I mean really think about it, it's just the most self-satisfied little number you ever did see. Williams is clearly not sorry, though he included the words "forgive me" in there. With that as her inspiration, Gail Carson Levine has penned forty-five or so false apology poems modeled on Williams'. The rules are simple. "The first stanza states the horrible offense. The second stanza describes the effect of the offense. The last stanza begins with `Forgive me' and continues with the false apology, because the writer is not sorry at all." Mixing together fairy tales and silly situations, Levine's poems span the gamut, from the cow in Jack and the Beanstalk taking issue with her monetary worth to a girl's pets asking pseudo-forgiveness for enjoying her diary's contents. Saying sorry without meaning it has never been this charming.

On the book's dedication page read the words "To Susan Campbell Bartoletti, who led me down the poetry path." I am currently in the process of putting in an order with FTD in the hopes of sending Ms. Bartoletti some flowers of my own. Whether intentionally or not, she has been at least partly responsible for helping to bring to this world a poet of undeniable talent. We all know Ms. Gail Carson Levine for her fantasy novels. Her Newbery Honor winning Ella Enchanted is probably her best known work. But when I saw that she had gone into the poetry business I couldn't suppress a groan. Great. An author who thinks they can write. Whooptie-doo. Can't wait to see what recycled trope makes its 100th appearance on the printed page yet again. Imagine my surprise then when I saw not only the idea behind the book (snarky in its mere conception, which is no easy task when you work in the world of juvenile literature) but the poems themselves. Ladies and gentlemen if I blame Ms. Levine for anything it is for denying the world her drop dead gorgeously twisted point of view for quite so long.

To back myself up I present to you the very format of the book itself. First up, the Table of Contents. It pretty much just consists of the words "This is Just to Say" over and over and over with different sizes and fonts and page numbers. You blink. You look at it again. You might shake your head slightly, and then you turn the page. Right off the bat you then encounter a pretty strange take on Sleeping Beauty, but it's just kind of funny. Then you read a different poem about a brother committing foul, but not uncommon, acts upon his sister's toys. Then you turn the page and that's when the fun really starts. It's a poem from the point of view of Snow White in which she lists the dwarfs poor hygiene and ends with "Forgive me / I'm making myself ugly / and leaving / with the witch." This is accompanied by a picture of the crying dwarfs watching a now seriously ugly Snow White (she's been crone-i-fied) arm in arm with the equally ugly evil witch. When I read this poem I immediately thought to myself, "I have never, ever, seen anyone do that before." Turn the page and here's a take on Jack and Jill where a gorilla purposefully causes Jack's tumble via banana peel so that he can make Jill his girlfriend. Again my brain does a bit of a tarantella within my cranial cavity.

While reeling the reader encounters one or two more poems and then suddenly the Introduction to the book appears. It's introduced by a poem in which Ms. Levine explains that her editor did not want the introduction at this point in the book. "Forgive me / I also shredded / her red pencil and stirred / the splinters into her tea." After that we encounter Mr. William Carlos Williams, the original poem that inspired all of this, along with a very good two-page encapsulation of what these poems are and how one would go about making one. Teachers desperate for poetry assignments should rejoice. Levine spells out the format, even going so far as to say that you can "abandon the form completely and write false apology poems in your own cruel way." Hey, man. Whatever gets `em writing. After that we plunge back into the woman's poems and, by extension, her brain.

Generally speaking they're pretty universally brilliant though once in a while a poem slips up. There's one about that old song about the bear going over the mountain that ends a bit oddly and doesn't pair as smoothly with its accompanying illustration as it might. And sometimes you do wonder if kids will get the references. Levine never names the fairy tales directly, often requiring you to figure them out for yourself (helped in no small part by Matthew Cordell's valiant efforts to avoid drawing Disney characters). They'll probably get the Beauty & the Beast poem in which Beauty proves a little too delectable. They may even understand the Pinocchio poem too. The Rumplestiltskin poem, however, stumped me for quite some time and I'm still not entirely certain I understand why he's in the Dwarf Witness Protection Program at the end. Ah well. Collected poems are rarely equal in their magnificence, even when penned by a single creator.

The idea to pair these poems with the art of Matthew Cordell was certainly a good idea. Now Mr. Cordell has somehow managed to illustrate what looks to be something like FOUR books in 2012 alone. In this one, though, he's really let his freak flag fly. Channeling everyone from Quentin Blake to Shel Silverstein, Cordell fills these pages with images as silly and as sardonic as Levine's poems require. He even adds little touches of his own whenever possible. A graveyard poem in which a thief confesses crimes to the shocked skeletons present shows the lawbreaker reclining against tombstones sporting names like "Sgt. A.B. Solv" and "Honorable Conrad Fess". Once in a while I don't quite understand what he's doing with his art (why are children attacking a lion when the accompanying poem is about how that lion just ate some kid's parents?) but generally speaking it's the top.

When you sit down and think of it, this book is almost the antithesis of that other work for children This is Just to Say: Poems of Apology and Forgiveness by Joyce Sidman. Might be funny to pair these two together (though the universe might explode). And if you're looking for smart works of poetry that could lead to writing assignments, consider pairing this book with Marilyn Singer's Mirror Mirror or Bob Raczka's Lemonade: And Other Poems Squeezed from a Single Word. If you're looking for works of children's literature that have mentioned the William Carlos Williams poem in question you might want to check out Love That Dog by Sharon Creech or A River of Words: The Story of William Carlos Williams by Jennifer Fisher Bryant. And if you're look for a book that's like this one in any way shape or form then all I can say to you is present to you this little poem of my own:

Forgive me
the book is too good on its own
and I am far too lazy to do any research

2 of 2 people found the following review helpful.
Irreverent poems styled after William Carlos Williams
By Sunshine on a Rainy Day
Every poem in this book is styled after a poem written by William Carlos Williams. Here is an example: "They sing the bear went over the mountain/which leads him to see other mountains/Forgive me: no one sings the ending, the landslide and the dead bear."

I was hoping for laugh out loud funny with this book and instead got mostly irreverent and mean. Most of the poems make fun of fairy tales. From Little Red Riding Hood (Grandma to Wolf) "When you arrive I will not be lying in my bed/where you hungrily hoped to find me/Forgive me: tell my granddaughter better one of us should live."

This book is advertized for ages 8-12 which is perfect since they are the age that likes this kind of irreverence the best. However, be aware of the negative content.

2 of 2 people found the following review helpful.
for a certain type of "humor"
By Constance777
My 7-year old son LOVED this book... first of all, he loves poetry, secondly, he understood the roughly fixed "form" - and he was cracking up time after time - running through the house to share multiple "This is Just to Say" poems. It's a strange one - and I wasn't sure if he'd like it (as he usually likes right-out ryming poetry, i.e., Ted Sheu) - but he did!

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