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Irwin Shaw’s collection of powerful stories that set the standard for post-war American authors
Irwin Shaw was a star of the New Yorker’s fiction pages in the 1930s and ’40s. His prose helped shape the landscape of post-war fiction, and his work drew from a remarkable life that spanned from American football fields to European battlefields, Broadway to Hollywood, Depression-era saloons to the McCarthy hearings. Among these sixty-three stories are iconic works such as “The Eighty-Yard Run,” a tale of an American dream crippled on Black Monday, and “Main Currents in American Thought,” in which a hack radio copywriter is tormented by the glitz of show business. Through the decades, Shaw’s writing —as demonstrated in these pages—maintains the clear-eyed moral purpose, rich in wit and startling insight, of a tough kid with a philosopher’s soul.
This ebook features an illustrated biography of Irwin Shaw including rare images and never-before-seen documents from the author’s estate.
- Sales Rank: #462077 in eBooks
- Published on: 2013-02-26
- Released on: 2013-02-26
- Format: Kindle eBook
Review
“[Shaw] has a primitive skill possessed by very few sophisticated men.” —The New York Times “Shaw is as skilled in construction as anyone who ever wrote in the form . . .” —Esquire
From the Inside Flap
Featuring sixty-three stories spanning five decades, this superb collection-including "Girls in Their Summer Dresses," "Sailor Off the Bremen," and "The Eighty-Yard Run"-clearly illustrates why Shaw is considered one of America's finest short-story writers.
About the Author
Irwin Shaw (1913–1984) was an acclaimed, award-winning author who grew up in New York City and graduated from Brooklyn College in 1934. His first play, Bury the Dead (1936), has become an anti-war classic. He went on to write several more plays, more than a dozen screenplays, two works of nonfiction, dozens of short stories (for which he won two O. Henry awards), and twelve novels, including The Young Lions (1948) and Rich Man, Poor Man (1970). William Goldman, author of Temple of Gold and Marathon Man, says of Shaw: “He is one of the great storytellers and a pleasure to read.” For more about Shaw’s life and work, visit www.irwinshaw.org.
Most helpful customer reviews
23 of 23 people found the following review helpful.
A common man looks at half a century
By Brandon Mann
A poor man's Cheever, Irwin Shaw was a man of his times, and his writing reflects the issues faced by the "common man" from the 1930s through the 1970s. He reminds us that not everybody in America was rich and ennui-infected. "The Eighty-Yard Run" is his classic study of the effects of the Depression on one man's marriage and his sense of self. "Sailor Off the Bremen" depicts a brutal act of vengence committed under the guise of political activism, "The Passion of Lance Corporal Hawkins" shows us an equally violent incident in the birth of Israel, "Main Currents of American Thought" looks at a hack writer in the age of radio, and "Act of Faith" is an optimistic if cautious affirmation of American values. "The Girls in Their Summer Dresses," with its breezy prediction of a new husband's sad and faithless future, was said to have been John F. Kennedy's favorite short story. Shaw's words have a masculine beauty to them, while his plots are precise and honed.
18 of 18 people found the following review helpful.
The Best Short Stories We've All Forgotten
By A Customer
Why have we forgotten this guy? "The Eighty Yard Run" is the greatest short story ever written! And that's just one of the many wonderful stories in this big volume. To think that it's out of print is almost criminal. John F. Kennedy was a fan of Irwin Shaw and you should be, too! Irwin Shaw wrote "Rich Man, Poor Man," which became one of the first TV mini-series back around 1976 or 1977. It was the series that gave Nick Nolte his first break. Along with John O'Hara and John Cheever, Irwin Shaw is one of America's greatest story tellers. The stories in this volume deserve to be put back into circulation!
16 of 16 people found the following review helpful.
Terrific
By Cosmoetica
In reading Irwin Shaw's Five Decades, a huge book of sixty-three of his best tales, in 756 pages of small type, written between the Great Depression years and his death, the only thing that an impartial reader can come away with is Shaw's consistent excellence in the field. Although having gotten his start, and made his name in the pages of The New Yorker magazine, I can tell you his tales hold up better socially and artistically than far more lauded New Yorker writers like O'Hara, J.D. Salinger, John Cheever, Alice Adams, John Updike, or Ann Beattie. The earliest tales, especially, with only the omission of a few definitive words that reference their era, could have been written yesterday, and are almost as minimalist as they are realist. And there is little fat in Shaw's tales- they are lean with the rat-a-tat-tat staccato of their sentence's construction, and their poetry comes not from a strained contrivance of clichés, but the juxtaposition (often jarring) of the most common of things, phrases, and moments. Even though most of the stories, especially the early ones, are set in a New York City milieu, and reflect the accents and slang thereof, Shaw powerfully captures the realistic dialogue of the masses like few other writers ever have- perhaps, of published short story writers I've read, only Russia's Anton Chekhov comes close, and even he tended to lean a bit more on allegory rather than the offhanded poesy that comes in real spoken dialogue, and can best be pared down by the good ear of a good writer. Not even Eugene O'Neill, at his best, could capture the American idiom as well, and perhaps only Clifford Odets did- and it's worth noting Shaw started out as a playwright....The stories are so well-wrought with the trimness of necessity, and possess a grit and realism that Ernest Hemingway could never equal, even in the best of his hit and miss tales- and are just as poetic, if not more, and certainly more consistently poetic, with the poetry of concision in the construction, not the mere phrasing. Again, look how inherently straightforward sentences like, `He couldn't remember having had a nicer day,', `Michael watched her walk, thinking, what a pretty girl, what nice legs,', and `You must be very careful in a strange city,' seem, yet how poetic they become by their mere placement. Shaw does this over and over again in these tales, which is a feat that writers like John O'Hara, or J.D. Salinger, his contemporaries, at their best, could never do with any consistency. Yes, some of his later tales are too long, but never ungodly in length, and they never become as airy as the lesser tales of many far more lauded writers in the Pantheon do. I urge any reader who wants to be entertained or enlightened, and also learn a good deal of what America in the last century was like, to seek out the short stories of Irwin Shaw. There's no better place to start than with these Five Decades to get the whole century.
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