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Lighthouse Island: A Novel (P.S.), by Paulette Jiles
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Paulette Jiles, the bestselling author of the highly praised novels The Color of Lightning, Stormy Weather, and Enemy Women, pushes into new territory with Lighthouse Island—a captivating and atmospheric story set in the far future—a literary dystopian tale resonant with love and hope.
In the coming centuries the world's population has exploded. The earth is crowded with cities, animals are nearly all extinct, and drought is so widespread that water is rationed. There are no maps, no borders, no numbered years, and no freedom, except for an elite few.
It is a harsh world for an orphan like Nadia Stepan. Growing up, she dreams of a green vacation spot called Lighthouse Island, in a place called the Pacific Northwest.
When an opportunity for escape arises, Nadia embarks on a dangerous and sometimes comic adventure. Along the way she meets a man who changes the course of her life: James Orotov, a mapmaker and demolition expert. Together, they evade arrest and head north toward a place of wild beauty that lies beyond the megapolis—Lighthouse Island.
- Sales Rank: #326329 in eBooks
- Published on: 2013-10-08
- Released on: 2013-10-08
- Format: Kindle eBook
From Booklist
Jiles’ dystopian novel, set in an overpopulated world ravaged by drought, follows a young woman on her quest to find her way to an island haven. Orphaned as a child, Nadia Stepan finds refuge in literature after her beloved guardian is arrested. As a young woman, Nadia has little aptitude for the government PR job she’s assigned to, and an affair with an Oversupervisor’s husband costs her the position and nearly her freedom. Nadia decides to flee to Lighthouse Island, an island in the Pacific Northwest that is rumored to have water and wildlife in abundance. Nadia finds an unlikely ally in James Orotov, a demolitions expert who was crippled in a blast many years before. After a fateful rooftop meeting, James aids Nadia in her flight, using his access to the system to help her avoid detection and arrest until he, too, falls into disfavor and has to flee. An unfortunate style and a world that, at times, feels cartoonishly evil mar Jiles’ otherwise compelling odyssey, which picks up considerably once Nadia and James are reunited. --Kristine Huntley
Review
“Jiles’s prose is a striking match for the barren landscape of this moody adventure tale.” (Publishers Weekly on LIGHTHOUSE ISLAND)
“A remarkably engaging story. . . . Jiles’s description is memorable and evocative.” (Denver Post on THE COLOR OF LIGHTNING)
“[A] meticulously researched and beautifully crafted story . . . this is glorious work.” (Washington Post on THE COLOR OF LIGHTNING)
“A gripping, deeply relevant book.” (New York Times Book Review on THE COLOR OF LIGHTNING)
“A rousing, character-driven tale.” (Kirkus Reviews on THE COLOR OF LIGHTNING)
“Jiles’ spare and melancholy prose is the perfect language for this tale in which survival necessitates brutality.” (Seattle Times on THE COLOR OF LIGHTNING)
“Lighthouse Island is a beacon of hope for Nadia, the clever, resourceful young heroine of Paulette Jiles’ spellbinding new novel. . . . Jiles’ writing is crisp and vivid as always, and although her setting is vastly different, her themes--independence, individuality, love of the land--remain intact.” (San Antonio Express-News on LIGHTHOUSE ISLAND)
“Nadia’s wandering journey maintains that hopeful anticipation of deep sleep. . . Jiles (Color of Lightening; Stormy Weather) has created a fascinating dystopic vision of a future world.” (Library Journal on LIGHTHOUSE ISLAND)
“The dystopian novel is beautifully written, and Jiles’ scenes of [protagonist] Nadia navigating the crumbling cityscape and her surreal interactions with the many desperate characters are vivid, shocking and often darkly funny.” (Columbus Dispatch on LIGHTHOUSE ISLAND)
“[I]nventive futurism and rollicking wit.” (New York Times Book Review on LIGHTHOUSE ISLAND)
From the Back Cover
Paulette Jiles's novels have been called "beautiful," "unforgettable," "impeccable," "pitch perfect," "life-affirming," "deeply relevant," "Homeresque," "remarkably engaging," "glorious." Now the acclaimed poet and New York Times bestselling author of The Color of Lightning, Stormy Weather, and Enemy Women limns new territory with this captivating and atmospheric story set in the far future—a beautiful and engaging literary dystopian tale resonant with love and hope.
See the rain forests . . . northern beauty, misted nights. Come to Lighthouse Island . . .
In the coming centuries, the world's population has exploded and covered the earth with endless cities. Animals are nearly all gone. Drought plagues the land and cloudy water is issued by the quart. There are no maps, no borders, no numbered years. On this urban planet the only relief from the overcrowding, the petty informers, and the harsh rule of the big Agencies is the television in every living space, offering dreams of vanished waterfalls and the promise of virtual vacations in green spaces for the lucky few.
It is an unwelcoming world for an orphan like Nadia Stepan, abandoned by her parents on a crowded street when she was four with only a drawing of the constellations of the Big Dipper—Cassiopeia's Chair and the North Star—and her mother's parting words: "Look to the North Star, and we will always be there." Shuttled from orphanage to orphanage, foster family to foster family, Nadia grows up dreaming of the vacation spot called Lighthouse Island, in a place called the Pacific Northwest where she believes her long-lost parents must be. As her obsession grows, so too does her determination to find her way there.
In the meantime, this bright and witty orphan falls into the refuge of old and neglected books; the lost world of the imagination filled with characters who can't disappear, or be arrested, or hurt her. And there is the voice, bounced from an abandoned satellite, that patiently reads, over and over, the great classical books of the world—Big Radio, a sound in the night that lifts Nadia above the relentless television noise and the dull and perpetual Present. Despite deprivation, uncertainty, and the deceptions she must use to survive, Nadia's dream never waivers. "It will get better, life will get better."
When an opportunity for escape appears, Nadia takes it, abandoning everything to strike out for Lighthouse Island in a dangerous and sometimes comic adventure. She faces every contingency with bottomless inventiveness and meets the man who changes the course of her life: James Orotov, a mapmaker and demolition expert. Together, they evade arrest and head north toward a place of wild beauty that lies beyond the megalopolis: Lighthouse Island and its all-seeing eye.
Most helpful customer reviews
17 of 21 people found the following review helpful.
A scary future society
By Leslie
Nadia, a young woman orphaned at age four, is obsessed with finding her way to Lighthouse Island, a place in the Pacific Northwest that may or may not even exist. Along the way she meets James, a mapmaker and demolition expert, who helps and then later accompanies her on the dangerous journey north.
I enjoy a good dystopian tale and this story had a lot of the elements I like, particularly world building that takes current issues – overpopulation, climate change, government control – and postulates a scary future society. Water is rationed, dates are no longer used, maps have becomes meaningless, people can be arrested or jailed for any reason the government dreams up, especially if they need cheap labor in the work camps, and executions are televised live on reality TV – the more attractive one is, the greater their chance of being the feature presentation.
There was much to like about the premise of this speculative world but unfortunately I had a difficult time getting through it. The pacing was slow and often disjointed and, a big problem for me, a lot of veering off into stream of consciousness and rambling detail. This made it difficult for me to connect with or even care about Nadia. James was a much more interesting character but far less developed. At times I was glued to the book eager to know what would happen next, other times it dragged and I didn’t pick it back up for a few days.
Another problem was the text did not have quotation marks around the dialog. I find this annoying and it slows down my reading and I read slow enough as it is. I don’t like to work this hard to read a book but I was involved enough in it to want to know the ending. And wouldn’t you know it when I got to what I thought should be the end, the plot twisted and we went off in another direction. I was glad to finally finish this one. I would have ended it 75 pages sooner.
I liked it enough to finish it but I thought it could have been much better.
5 of 6 people found the following review helpful.
I liked it.
By Tree Mugger
I received an ARC of "Lighthouse Island". I am rather new to reading dystopia so this is most likely my second or third read on the genre. I think I am still getting the hang of it. Other reviewers have defined the plot of the story much better than I can so I will focus on Nadia the main character.
The first couple pages drew me in right away. I felt for this little girl Nadia that had been abandoned and I wanted to follow her life. Her character was an unusual one as she seemed almost emotionless, matter of fact about her life and situation but considering the living structure it would not have been prudent to be an over emotional bemoaning your fate kind of character. Her coping skills were interesting and kind of weirdly fun at times for me to read. She could improvise a lie at the spur of the moment to get her out of danger. She was quick to pick up on cues and situations that would help her escape detection time and time again. Sometimes her escapes had a little help and others it was just plain dumb luck. Her drive to find Lighthouse Island made it my drive to find it with her. I really wanted to know if it existed or not. Nadia never wavered in her belief but I wavered in mine frequently. The author kept us guessing for quite some time on the answer to that question. Nadia definitely kept me reading because I cared about her quest. I would want to find the Lighthouse too.
There are times I found the story fascinating and other times I found it a bit sluggish. I would get really excited about parts then it would slow down and I would have to plod through it. The pacing was not to my liking. The story over all I liked quite well. I'm not so sure I am crazy about the ending because I didn't have the wrap up that I get from other genres. I did want to know a little more or have it settles better to my understanding. Maybe there will be more, I don't know. All in all I liked the book. Some elements surprised me or held me captivated. Other times I couldn't wait to get out of the eternal drab cities. But, overall, I am satisfied in a worthwhile read.
5 of 6 people found the following review helpful.
A Very Good, Not Great, Mainstream Literary Dystopian Novel
By John Kwok
Writing dystopian speculative fiction novels and getting them published are the latest trend in publishing, whether they are Suzanne Collins' "Hunger Games" trilogy, or notable debuts like Peter Heller's "The Dog Stars". Paulette Jiles' "Lighthouse Island" is a very good example of this, especially since it is a dystopian speculative fiction novel written by someone who has little knowledge or understanding of the genre. (An observation which is rather surprising considering that her literary agency represents the likes of Stephen King and Neal Stephenson; Stephenson should be viewed as one of the great speculative fiction writers of our time, while King has made some noteworthy contributions as well.) "Lighthouse Island" is a novel that J. G. Ballard could - and did - write over the course of his distinguished literary career, but, unlike Jiles, gave readers far more plausible dystopian futures rooted well in credible scientific extrapolation, with prose more luminous and lyrical than what Jiles has written. However, to her credit, Jiles has written a compellingly readable love story set in a dystopian future, replete with a memorable heroine, Nadia, who finds herself trapped in a bizarre set of situations reminiscent of those depicted in Terry Gilliam's film "Brazil". I also commend Jiles' referencing of Patrick O'Brian's superb Aubrey/Maturin novels as well as occasional references to J. R. R. Tolkien's Middle-Earth. While "Lighthouse Island" pales in comparison with Ballard and Stephenson's best, it is still a novel worthy of attention by a large readership.
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