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Lu Xun's Revolution, by Gloria Davies
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Recognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the nation’s conscience, a writer comparable to Shakespeare or Tolstoy. Gloria Davies’s vivid portrait gives readers a better sense of this influential author by situating the man Mao Zedong hailed as “the sage of modern China” in his turbulent time and place.
- Sales Rank: #1918529 in eBooks
- Published on: 2013-04-08
- Released on: 2013-04-08
- Format: Kindle eBook
Review
As the recognized founder of modern Chinese literature and arguably the central intellectual figure in China and much of East Asia throughout the twentieth century and even up to the present day, the influence of Lu Xun is difficult to overestimate, and, so it logically follows, is the significance of this book. Gloria Davies has taken a tripartite approach: she assesses Lu Xun from a literary, linguistic, and intellectual angle and does so with elegant precision. No one has treated Lu Xun as an essayist--particularly in the last ten years of his life--as well and as sensitively as Davies has here. (Jon Eugene von Kowallis, author of The Lyrical Lu Xun)
There is a wealth of insights in Lu Xun's Revolution, and I applaud Gloria Davies for such thorough and conscientious efforts in plowing through all the sources of the later Lu Xun. Davies has not only carefully gone through all the controversies on the leftist literary front in Lu Xun's time; she has brought the relevance of Lu Xun's essays to the present world. I have always lamented the fact that many Lu Xun scholars, including myself, do not do full justice to the later Lu Xun. Now the record is being set straight. (Leo Ou-Fan Lee, author of The Voices of Iron House: A Study of Lu Xun)
The range of Davies' research is staggering, and her erudition is impressive as she glides through Lu Xun's literary career. She deals frankly and comprehensively with Lu Xun's most prominent critics and notes how he handled them with intensity and agility. She has much to say, as well, about his theories of writing--how he decried political rhetoric, despised romantic fiction and saw the moral ambiguity of revolutionary writing. She also reproduces his list of eight tips for aspiring writers. (Kirkus Reviews 2013-01-15)
In Lu Xun's Revolution, Davies has created a fascinating account of the final years of the writer's life and the beginning of his literary afterlife. (Julia Lovell Wall Street Journal 2013-05-24)
A groundbreaking work. (Eva Shan Chou Times Higher Education 2013-05-23)
For those who would like to find out about Lu Xun there is plenty of information in this copious literary and political biography...Lu Xun's Revolution is a formidable book. (Jonathan Mirsky Literary Review 2013-06-01)
This richly documented study of China’s pre-eminent writer Lu Xun (1881-1936) by Gloria Davies cannot fail to provoke deep reflection on the issue of the creative writer, artist, philosopher, or scholar and his or her involvement in politics. (Mabel Lee Australian Book Review 2014-02-01)
About the Author
Gloria Davies is a literary scholar and historian of China at Monash University in Australia. She is also Adjunct Director of the Australian Centre on China in the World at the Australian National University.
Most helpful customer reviews
14 of 15 people found the following review helpful.
Carlyle-type "Great Man" approach to literary history
By Harvy Lind
Few monographs have focused on the final decade of Lu Xun's life after he abandoned writing fiction with a contemporary setting (1927-1936). I reached for this volume with hopes of finding even-handed, fresh literary interpretations of Lu Xun's essays, historical fiction (Old Tales Retold) and the comparison of these works with the works of other leading Chinese essayists and writers of historical fiction. Instead, the author focused almost exclusively on Lu Xun's polemical essays and overheated literary pugilism between him and various adversaries in the cultural politics of the day. Instead of presenting Lu Xun in the round as a talented writer but necessarily with shortcomings as well, Davies lionizes him repeatedly as "the maestro" and even mistranslates the rather common polite form of address of "xiansheng" as "maestro." One encounters repeated poststructuralist assumptions and quotes from Derrida, Foucault, and Wang Hui, who are invariably presented as argument-clinching or praised as "putting it succinctly," yet there is no significant mention of contemporaries of Lu Xun who approximate him in literary importance (and wrote many essays and far more fiction than Lu Xun did) yet are not within the leftist mainstream such as Shen Congwen, Qian Zhongshu, and Lao She, to give but a few examples. Satirical or critical comments on Lu Xun's polemical essays that are of recent vintage are limited mostly to popular and only semi-serious writers such as Han Han and Wang Shuo, whose comments are taken out of context and cut off with Davies' pert dismissal, "and so on and so forth." On the other hand, comments that lionize Lu Xun's polemical essays are generally accepted at face value.
The book is often self-contradictory, such as when Lu Xun is at one point credited with criticizing Marxist-Leninist authoritarianism, and then at another point avoiding any public criticism of either Soviet Russian Stalinism or Chinese Communism as a good team player in the polemical battles of the League of Left-wing Writers, a Chinese Communist Party front organization that established Lu Xun as a figurehead.
The book also keenly disappoints as scholarship, in that it lacks a bibliography and a Chinese-character glossary of important names and terms. This greatly reduces the book's value to faculty and graduate students. It would appear that the author was in something of a hurry to get it published, and could not be bothered with meeting standards for scholarly end matter in monographs.
There is some occasional interesting cultural history in Davies' chronicling of various polemical skirmishes between Lu Xun and his adversaries during the late 1920s and 1930s. However, aside from making a case that Lu Xun was a "passionate" writer, a fact that we already knew, Davies has little in the way of significant conclusions to offer.
1 of 2 people found the following review helpful.
Boring book
By Wu Chun Pang
Such a bad written book with wrong chinese translation. Not inspiring nor articulated enough to tell a real story of Lu Xun.
0 of 1 people found the following review helpful.
Great book if you want the truth of Lu Xun's literary career
By C. Thompson
This is a fantastic book. Don't bother listening to the other reviews, its hogwash.
Lu Xun's Revolution will shed light upon his tumultuous literary career during great struggles
of early Chinese society.
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