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From celebrated legend Ashley Bryan, a lavishly depicted cautionary tale of fearlessness and many-headed monsters.
There was a little boy who knew no fear...
Nope, no fear at all. Not even when his grandma warns him of the giants—the two-headed giant and his three-headed brother, that is. Because this wild, fearless boy isn’t scared of any many-headed giants at all!
So one day, he slips away. He just takes off and leaves his grandma behind. After all, what does he care? He’s got his mangoes, and the sunshine, and his flute. And he isn’t scared one bit.
But our boy isn’t really bad, you know; just wild. And soon he misses his grandma. So he turns around, and runs right into—those monsters. He’s about to discover that he may indeed have something to fear…their terrible, horrible singing voices!
This trickster tale from the French Artilles will have readers toe-tapping and trying out their own singing voices.
- Sales Rank: #1788695 in eBooks
- Published on: 2013-09-03
- Released on: 2013-09-03
- Format: Kindle eBook
From Booklist
At first glance, this feels like a familiar cautionary tale in which the small boy who fears nothing will learn a lesson in humility. Unafraid of lions or many-headed giants, this boy is certainly a “willful, thrillful child” who makes the adults in his life despair. But what does at last scare him turns this into a celebration of children’s unfettered curiosity and daring. Bryan’s lyrical poetry might be best read out loud: “The giant massacred the song; the scared boy’s ears were ringing. / He hoped he’d never hear again, such awful off-key singing.” The buoyant watercolors, bordered in a stained-glass design, complement the musicality of the text, mitigating any sense of fear—for example, Giant Three Heads guffaws through wide, goofy grins. In the end, this mischievous boy outsmarts all the demons and runs home and into the arms of his loving grandma. He changes his song to assure her that his escapades have taught him about fear, and he promises to be good from now on. Or for at least a little while. Grades K-3. --Amina Chaudhri
Review
CAN'T SCARE ME!
Author: Ashley Bryan
Illustrator: Ashley Bryan
It’s Anansi. It’s Coyote. No, it’s a boy wonder who knows no fear.
Despite his diminutive size, this young, brown-skinned protagonist boasts of fearing nothing, even when his grandmother tells him that the two-headed giant and his three-headed brother catch and eat little boys who wander home after dark. When the three-headed giant does catch and prepare to eat the boy, only his musical prowess saves him from an untimely death in the giant’s kitchen. The boy’s refrain, “Tanto, tanto, I’m wild and I’m free./ Grandma’s stories can’t scare me,” makes this tale imminently tellable, and his musical tune, “Too-de-loo-de-loo-de-loot!” makes it singable as well. Bryan’s characteristically colorful and rustic paintings portray the contrast between the small boy and the massive giants well, making the boy’s humility all the more amazing when he returns to the lap of his grandmother a wiser and more humble boy. Though some of Bryan’s rhymes are forced and the giants seem more goofy than scary, the compelling plot and vibrant illustrations will keep readers entertained.
This musical trickster breathes new life into an old tale. (Picture book. 4-8) (Kirkus Reviews)
In Bryan’s folktale-style story, a boy is certain he’s above the rules, but he doesn’t suffer the usual comeuppance. Instead, he makes fools out of his enemies and earns his grandmother’s admiration. “Tanto, tanto, I’m wild and I’m free./ Grandma’s stories can’t scare me,” he crows, slipping away from his mother despite Grandma’s warnings about a two-headed giant and his three-headed brother. The tune the boy plays on his flute emboldens him further, and Bryan repeats it often (“Too-de-loo-de-loo-de-loot!”) as narrative punctuation. The boy stays calm when the three-headed giant catches him in a sack and tells his cook to fatten him up. Sure enough, the child’s flute and quick thinking are enough to outwit his captors. It’s the giant’s screechingly bad rendition of the boy’s tune that truly scares him: “His singing voice was worse/ Than any threat to eat him.” Bryan’s paintings have the warmth and substance of Diego Rivera murals, while the giants vibrate in phantasmagoric shades of magenta and lime. There’s never any doubt that the boy will prevail, and there’s something classically Homeric about his exploits. Ages 4–8. (Sept.) (Publishers Weekly)
Can't Scare Me!.
Bryan, Ashley (Author) , Bryan, Ashley (Illustrator)
Sep 2013. 40 p. Atheneum, hardcover, $16.99. (9781442476578).
At first glance, this feels like a familiar cautionary tale in which the small boy who fears nothing will learn
a lesson in humility. Unafraid of lions or many-headed giants, this boy is certainly a “willful, thrillful
child” who makes the adults in his life despair. But what
does at last scare him turns this into a celebration
of children’s unfettered curiosity and daring. Bryan’s lyrical poetry might be best read out loud: “The giant
massacred the song; the scared boy’s ears were ringing. / He hoped he’d never hear again, such awful offkey
singing.” The buoyant watercolors, bordered in a stained-glass design, complement the musicality of
the text, mitigating any sense of fear—for example, Giant Three Heads guffaws through wide, goofy grins.
In the end, this mischievous boy outsmarts all the demons and runs home and into the arms of his loving
grandma. He changes his song to assure her that his escapades have taught him about fear, and he promises
to be good from now on. Or for at least a little while.
— Amina Chaudhri
(Booklist)
Can’t Scare Me!
by Ashley Bryan; illus. by the author
Primary Atheneum 0 pp.
9/13 78-1-4424-7657-8 16.99
e-book ed. 978-1-4424-7658-5 12.99
The master storyteller offers a sprightly rhymed retelling of a folktale first collected on St. Thomas, Virgin Islands, by Elsie Clews Parsons and published in her Folk-Lore of the Antilles, French and English. The “oh so wild” little boy who “knew no fear” is warned of the two-headed giant by his grandma, but he is so bold that he scoffs at her warnings and runs off by himself to eat mangoes, play his flute, and sing. Sure enough, his music attracts the two-headed giant, who is not so fearsome after all, but he warns the boy of his much-fiercer older brother, the three-headed giant. Emboldened by the encounter, the boy tempts fate and does indeed meet the three-headed giant, who captures the boy and takes him home for his cook to serve up for dinner. The boy uses his own wits—and his charming musical ability—to escape with his life and with a new understanding of the difference between bravery and daring. Bryan’s rainbow-colored tempera and watercolor illustrations underscore the protagonist’s confidence—we all know he’ll get away—but are also used effectively to portray a truly scary-looking giant. kathleen t. horning
(Horn Book)
An exuberant young boy (“only half past seven”) with a flute in tow and no fear in sight heads out into the fields with his grandmother. In spite of her warnings, the boy runs off to pick mangoes, and on his way home, he bumps first into a two-headed giant. Though he manages to soothe the giant with a “Too-de-loo-de-loo-de-loot!,” he soon finds himself in over his head when the giant’s three-headed big brother’s flattery and his own bravado land him in a sack, ready to be cooked for dinner. The boy’s musical talent, though, charms the giant’s cook, Janey, a magenta gal in a multicolored dress and yellow sunhat, and he’s able to sneak off back home. Bryan adapts this Antillean trickster tale with strong cadence and boisterous nonsense words (“He bumped into someone. Bong! Brugada-brugada-bop!/ It was a great big giant with two heads on top”) that make it a delight to share aloud, and the use of refrains, such as the boy’s claims that “Grandma’s stories can’t scare me,” helps make the length manageable and possibly encourages audience participation. Bryan’s celebrated tempera and watercolor illustrations are here thickly textured and rich with bold primary colors that contribute to the stained glass feeling in this mythical world. Panel pictures are framed by fabulously patterned borders, enhancing the storybook atmosphere. This would make a great Caribbean addition to a collection of world folktales, and it might be fun to use as a folkloric component for a monster-themed storytime. The copyright page includes a source note. TA (Bulletin)
Can’t Scare Me
By Ashley Bryant
(Atheneum; ISBN: 9781442476578; October 2013; Fall catalog)
Children will be chanting along with the "willful, thrillful child" at the center of this folktale about a brave boy who uncovers a healthy dose of fear.
The boy hero of this picture book, musically retold by Ashley Bryan (Beautiful Blackbird) from a collection of folklore from the Antilles, has worn out his parents, who send him to Grandma. The boy's grandmother holds him close and tells him the story of a two-headed giant and his three-headed brother, who come out after dark. The boy pays her no mind. He plays the flute ("Too-de-loo-de-loo-de-loot!") and sings a powerful song, "Tanto, tanto, I'm wild and I'm free./ Grandma's stories can't scare me./ I'm bold! I'm brave!/ And though I may be small,/ No many-headed giant/ Scares me at all." Anyone who has ever heard Bryan perform his poetry knows that he reveres both the spoken and written word. He choreographs his refrains into foolproof phrases that anyone may recite with confidence.
In a ploy that will be familiar to youngsters, Giant Three Heads urges the boy closer, the better to hear his song. Bryan's fiesta-bright colors keep the story from feeling too scary, even when the giant snatches him up and pops him into a sack. The captive boy successfully uses the Giant's tactic on the cook, Janey ("Open the bag a wee bit more,... you'll dance upon the tip of your toes, with tippity-tappity-tiddle") as he plays his way out of the sack ("Too-de-loo-de-loo-de-loot!"). The hero returns to Grandma a little wiser and more respectful, yet still that appealingly willful, thrillful child. --Jennifer M. Brown, children's editor, Shelf Awareness (Shelf Awareness Starred Review)
About the Author
Ashley Bryan grew up to the sound of his mother singing from morning to night, and he has shared the joy of song with children ever since. A beloved illustrator, he has been the recipient of the Coretta Scott King—Virginia Hamilton Lifetime Achievement Award and the Laura Ingalls Wilder Award; he has also been a May Hill Arbuthnot lecturer, a Coretta Scott King Award winner, and the recipient of countless other awards and recognitions. His books include Sail Away; Beautiful Blackbird; Beat the Story-Drum, Pum Pum; Let It Shine; Ashley Bryan’s Book of Puppets; and What a Wonderful World. He lives in Islesford, one of the Cranberry Isles off the coast of Maine.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Ashley Bryan, a Storyteller at Heart
By Dotsy Adams Liles
As always, Ashley Bryan, age 90, has produced another winner. Ashley, the consummate storyteller, includes the oral tradition from his "roots" at the heart of many of his works. Can't Scare Me is no exception. Coupled with his bright and colorful illustrations, the book will appeal to everyone from young children to the "child" in every adult.
Ashley Bryan's books continue to enrich us all.
1 of 1 people found the following review helpful.
Bought for a class
By Myisha
I really liked the story and the message. Listen to adults they do know more than you. There are scary things in the world. I will definitely buy more of his books.
0 of 0 people found the following review helpful.
Five Stars
By Diane M. Milinkovich
A+A+A+A+A+A+A+A+A+A+A+A+
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