Rabu, 17 Juni 2015

> Ebook Salinger, by David Shields, Shane Salerno

Ebook Salinger, by David Shields, Shane Salerno

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Salinger, by David Shields, Shane Salerno

Salinger, by David Shields, Shane Salerno



Salinger, by David Shields, Shane Salerno

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Salinger, by David Shields, Shane Salerno

Based on eight years of exhaustive research and exclusive interviews with more than 200 people—and published in coordination with the international theatrical release of a major documentary film from the Weinstein Company—Salinger is a global cultural event: the definitive biography of one of the most beloved and mysterious figures of the twentieth century.

For more than fifty years, the ever elusive author of The Catcher in the Rye has been the subject of a relentless stream of newspaper and magazine articles as well as several biographies. Yet all of these attempts have been hampered by a fundamental lack of access and by the persistent recycling of inaccurate information. Salinger remains, astonishingly, an enigma. The complex and contradictory human being behind the myth has never been revealed.

No longer.

In the eight years since Salinger was begun, and especially in the three years since Salinger’s death, the authors interviewed on five continents more than 200 people, many of whom had previously refused to go on the record about their relationship with Salinger. This oral biography offers direct eyewitness accounts from Salinger’s World War II brothers-in-arms, his family members, his close friends, his lovers, his classmates, his neighbors, his editors, his publishers, his New Yorker colleagues, and people with whom he had relationships that were secret even to his own family. Shields and Salerno illuminate most brightly the last fifty-six years of Salinger’s life: a period that, until now, had remained completely dark to biographers. Provided unprecedented access to never-before-published photographs (more than 100 throughout the book), diaries, letters, legal records, and secret documents, readers will feel they have, for the first time, gotten beyond Salinger’s meticulously built-up wall. The result is the definitive portrait of one of the most fascinating figures of the twentieth century.

  • Sales Rank: #217390 in eBooks
  • Published on: 2013-09-03
  • Released on: 2013-09-03
  • Format: Kindle eBook

Amazon.com Review
An Amazon Best Book of the Month, September 2013: Salinger-ians – those who are obsessed with the fabulously successful and famously reclusive Catcher in the Rye author– will find much to argue about in this oral history by filmmaker Shane Salerno (whose related movie is released September 6) and co-writer David Shields. According to the authors and the dozens of people they interviewed, Salinger was an adolescent-girl-obsessed, religious fanatic who suffered from a kind of lifelong PTSD from his years in WWII as well as an embarrassing (to him) physical deformity; he also, according to the authors, used his reclusiveness to his own advantage, stepping out to the press and public when it suited him and the mythology they contend he at least partially created. But even those who couldn’t care less about “the finest mind ever to stay in prep school,” (Norman Mailer) will find themselves surprisingly engaged: from snippets about Salinger’s thwarted love affair with Eugene O’Neill’s daughter Oona, who dumped him for Charlie Chaplin to a lit-crit lesson on how Mark David Chapman could have possibly read Catcher as a manifesto urging him to kill John Lennon, this book says more than most about the world of writing, celebrity and American culture in the 20th century. --Sara Nelson

From Booklist
Coauthors Shields and Salerno take a much different approach to unveiling the hidden life of J. D. Salinger than Kenneth Slawenski took in his J. D. Salinger (2011). Both books represent nearly a decade of research, and both draw on some of the same material—previously published books on and memoirs about the writer, as well as letters made available since Salinger’s death (Shields and Salerno add years of interviews to the mix). Slawenski constructs a traditional biographical narrative from the stew of secondary sources, while Salerno and Shields present the same stew one bite at a time. In fact, their quasi oral history is the print companion to Salerno’s recently released documentary, also titled Salinger. (The book jacket of this volume proclaims itself “the official book of the acclaimed documentary film,” though early reviews of the production have been almost universally negative.) The book and film follow a roughly chronological track, though the reader emerges with much less of a sense of the flow of Salinger’s life here than in Slawenski’s account. Instead, we get an enormous clip book showcasing the authors’ research: excerpts from hundreds of interviews with people who had some contact with Salinger—and dozens more who had no contact at all but experienced some of the same things Salinger did (mainly WWII) or, in the case of various celebrities, were simply moved by his work. (Do we really need to know what The Catcher in the Rye meant to John Cusack?) But the authors have unearthed some genuinely new material, including interviews with Jean Miller, the first of many teenage girls, on the cusp of adulthood, with whom Salinger had a relationship; more commentary from Salinger’s fellow soldiers and from his close friend Paul Alexander than has been previously published; and new interviews with Joyce Maynard, author of a “Daddy Dearest”–style memoir about her years as one of the author’s teen obsessions. Salinger devotees will find all of this laundry airing either endlessly fascinating or cheap and salacious, depending on their tolerance for laundry. But out of all this material, do Shields and Salerno attempt to make sense of this legendarily hidden and peculiar life? Yes, they do, and while many will find quibbles (the excessive attention, for example, paid to the fact that Salinger had only one testicle), overall their vision of Salinger conforms to much of what we have heard before: an ambitious young man who dreamed of publishing stories in the New Yorker, who went through hell in WWII (D-Day, Huertgen Forest, the Battle of the Bulge, Dachau) and who used writing—he worked on Catcher throughout the war—as a kind of meditation, an escape from the horrors of battle; who suffered from 1945 through his death from post-traumatic-stress syndrome, finding that fame was, for him, a new kind of battlefield to find escape from; and who finally did escape from the world by retreating to New Hampshire and by immersing himself in the Hindu philosophy Vedanta. Or, as the authors sum it up, “The war broke him as a man and made him a great artist; religion offered him postwar spiritual solace and killed his art.” It is a consistent point of view, and while certainly an oversimplification, it is well supported by the wealth of commentary included here. What’s lost in all this welter of detail about a troubled man and his peculiar, contradictory life is Salinger’s writing. There are snippets of perceptive analysis from Shields and from some of Salinger’s fellow writers, and there is plenty of connecting the biographical dots (Jean Miller as the model for Esmé in “For Esmé—with Love and Squalor”), but most readers will come away from this book feeling that what’s lost in this messy, muddled hodgepodge of a biography about a messy, muddled life is the precision and clarity of Salinger’s best stories. --Bill Ott

Review
“Unprecedented . . . Nine years in the making and thoroughly documented . . . Providing by far the most detailed report of previously unreleased material, the book . . . both fleshes out and challenges aspects of the author’s legend. . . . [Salinger] has new information well beyond any possible posthumous fiction.” (Hillel Italie The Associated Press)

“Eloquently written and exhaustively reported . . . Salinger is an unmitigated success. . . . Shields and Salerno have struck journalistic gold. Salinger is a revelation, and offers the most complete picture of an American icon, a man deified by silence, haunted by war, frustrated in love—and more frail and human than he ever wanted the world to know. . . . A startlingly revealing story.” (USA Today (3.5 out of 4 stars))

“Revealing . . . [A] sharp-edged portrait.” (Michiko Kakutani The New York Times)

“Vivid . . . There are riches here . . . [Salinger] presents a decade’s worth of genuinely valuable research . . . Salinger doesn’t excuse its subject’s personal failings, but it helps explain them: in his fiction, Salinger had a chance to be the good, untraumatized man he couldn’t be in real life.” (Lev Grossman Time)

“A stupendous work . . . I predict with the utmost confidence that, after this, the world will not need another Salinger biography.” (John Walsh Sunday Times (London))

"Salinger gets the goods on an author's reclusive life. . . . It strips away the sheen of his exceptionalism, trading in his genius for something much more real." (Los Angeles Times)

“Salinger is the thorny, complicated portrait that its thorny, complicated subject deserves. . . . The book offers the most complete rendering yet of Salinger’s World War II service, the transformative trauma that began with the D-Day invasion and carried through the horrific Battle of Hürtgen Forest and the liberation of a Dachau subcamp.” (The Washington Post)

“Engrossing . . . There are fascinating and unique accounts that get to the heart of Salinger. . . . The freshest material comes from Salinger’s letters, which bring his own voice, often adolescent-sounding, into the commentary. Previous biographers didn’t have access to much of this material.” (The Wall Street Journal)

"The reminiscences are layered with a stunning array of primary material. . . . Taken as a whole—the memories, the documents, the pictures—the book feels as close as we'll ever get to being inside Salinger's head." (Entertainment Weekly)

“Juicy . . . Salinger is full of fascinating revelations. . . . The most extensive portrait yet of a writer who spent nearly sixty years doing everything in his power to avoid precisely this kind of exposure.” (The Daily Beast)

“Unprecedented . . . A masterwork . . . An exquisitely researched and beautifully engineered piece of storytelling about one of modern history’s most enigmatic personas.” (Maria Popova Brain Pickings)

“Refreshingly frank about [Salinger’s] many shortcomings and how they might have affected his work . . . Salinger amply documents the author’s youthful arrogance and selfishness, his infatuation with his own cleverness and his inability to see the world from the perspective of anyone who wasn’t a lot like himself.” (Laura Miller Salon)

"An explosive new biography." (People)

"An exhaustively detailed portrait of the famously reclusive novelist." (Denver Post)

Most helpful customer reviews

139 of 167 people found the following review helpful.
Field Notes, Not A Biography
By A. Royse
I waited all day to be able to curl up in bed with this 'biography.' And then I went to bed utterly and completely disappointed. This is NOT a biography. This is, at best, cut-and-pasted field Notes from so much research that the writers must have finally given up on writing anything. It is source material for someone who wants to write a biography, but is is not a book for someone who wants to read a biography.

It is, LITERALLY (in the old sense of the word, not the new one, which has no meaning) hundreds of pages of quotes, loosely organized around a general theme. There is no attempt at a through-line to paint a complete picture, no connecting the dots, no thought whatsoever.

This book is not written. It's not even really edited. It could best be described as curated, but only barely.

And honestly, if it is even just a transcript of the movie, I am no longer interested in seeing the movie...... Such a disappointment.

Unless what you want is field notes, in which case, this is a gold mine. You just have to do all the digging.

12 of 12 people found the following review helpful.
Understand Salinger, and you'll understand Holden and Seymour
By Adam
Readers of fiction often wonder whether an author's personal experiences are woven into his or her stories. Biographies about famous writers are attractive because they reveal those connections. "Salinger" is a comprehensive account of J. D. Salinger's affluent youth, horrific war experiences, publishing achievements, romantic failures, and eventual withdrawal from society. By learning about Salinger's life, readers will come to understand Holden Caulfield and Seymour Glass a good deal better.

This book is not, as some reviewers here have implied, a transcript of the "Salinger" documentary film. At over 700 pages, it goes deeper than any movie could. It contains bibliographies of writings by and about J. D. Salinger, brief biographies of the people quoted in the book, and even descriptive sketches of the fictional Glass family. It does not, unfortunately, have an index,
and it is sometimes difficult to tell in what context a statement was made (such as an interview given specifically for this project, or some other source).

Other reviewers have lamented how the book is comprised of quotation after quotation and does not follow a traditional narrative format. But what better way to learn about Salinger's life than to read firsthand accounts directly from the people who knew him? Instead of reading the biographer's description, let Jean Miller, for example, tell how she met Salinger on the beach when she was fourteen (inspiring his stories "A Perfect Day for Bananafish" and "For Esme - With Love and Squalor"). Occasionally, the same stories are told by different voices, although this does not result in monotony, as some reviewers suggest. It only helps to build a more complete account of the man and his experiences, and attentive readers will be intrigued when two eyewitnesses tell slightly different versions of the same event.

This book is not just a repackaging of old Salinger anecdotes, as has been claimed here. It contains new, previously unpublished material that has become available only since Salinger's death, and it concludes with a few tantalizing pages that hint we have not seen the last of the Caulfield and Glass families.

55 of 67 people found the following review helpful.
Lesson for me: Never buy without checking the customer reviews.
By Busy Reader: Get To The Point
I reject this . . . collection of words, for the same reasons stated in the other negative reviews. This is not a book, it's a chaotic, repetitive landfill of fragmentary quotes. You may ask why I wrote my own review, if I agreed with the others. I want to do my part to keep the 1-star count high, so people are fairly warned before they waste time and money on this . . . thing.

The trailer for the associated documentary film flashed in front of me at a theater. It looked exciting. I had read only "Catcher In The Rye," and knew little about Salinger the man. When I saw the book, I clicked on it right away. I wish I had checked the customer reviews first. As stated, you get hundreds of pages of disconnected drivel.

Person 1: When Jerry came back from the war, he never was the same.

Person 2: Something happened to him over there.

Person 3: The Jerry who went to Europe was not the Jerry who came home.

These are not actual quotes, but the text is that shallow. The same banal thoughts are repeated ENDLESSLY. Twenty, thirty, fifty times, a new person says exactly the same thing. I stuck it out to the end, curious to see if the 'authors' would provide any conclusion whatever. They do. In the final chapter, they bring their psychological examination of Salinger to a bombastic, unsupported conclusion. This was almost fun, like watching an Olympic competition for blowhards.

This publication is a horrible mess. Try any other book on Salinger, or just go read Wikipedia, you'll be much better off.

During this excruciating yawnfest, I reflected on a larger phenomenon. People like Salerno and Shields ask, "What was wrong with Salinger? He must have been deeply wounded. If he were healthy, he would welcome our attention. How can he want to escape our love--we, his readers? We're fascinating people, after all."

I'd like to turn that question around. What's wrong with us, that we can't accept a man who liked to be left alone? Why can't we accept that he was just not that into us? He liked to do his work and live his life in private. It's really, really simple, unless you argue with it and say it can't possibly be true. I own my part; I bought this wretched book to find out more about J.D. Salinger. At least I didn't stalk him while he was alive. This seems to have been a national sport, as well.

See all 153 customer reviews...

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