PDF Ebook On Edge: Performance at the End of the Twentieth Century, by C. Carr
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On Edge: Performance at the End of the Twentieth Century, by C. Carr
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The state of performance art in the 80s and 90s, documented by the form’s leading critic.
- Sales Rank: #1241796 in eBooks
- Published on: 2012-04-09
- Released on: 2012-03-26
- Format: Kindle eBook
From Publishers Weekly
Since 1984, Village Voice critic Carr has chronicled the work of artists in that amorphous territory called "performance art." Though some of these 58 essays have gone stale, most convey spirited descriptions and sensitive defenses of obscure or much-maligned avant-gardists. She observes Holly Hughes and Carmelita Tropicana bra-zenly presenting politically incorrect lesbian theater, finds dragster Ethyl Eichelberger transmuting Shakespeare into Leer and notes how Chris Burden's apparent masochism (having himself crucified on top of a Volkswagen) forces the audience to confront iconographies of power. Foul-mouthed, food-smearing Karen Finley is, to Carr, an example of a shattered persona, "a self unable to put a face on things," while "feminist porn activist" Annie Sprinkle, allowing audiences to peer at her cervix, suggests a "supernakedness" that restores her power. Carr's best work takes on the critics of Finley and Robert Mapplethorpe, skewering Rev. Donald Wildmon and the would-be censors in Cincinnati. In an epilogue, Carr suggests the bohemian tradition has been energized as well as fractured by the advent of multiculturalism. Photos not seen by PW.
Copyright 1993 Reed Business Information, Inc.
Review
"Like a parade, a reunion, a wake, a summit, or a coming out party, C. Carr's On Edge is an occasion. The book brings together the best of those exquisite Carr essays that have salt and peppered the Village Voice for ten years, telling the 'Real Deal' on the ever-cutting edge of what we, the 'nth' generation, refuse to let ourselves continue to call the avantgarde."—Rebecca Schneider, TDR (The Drama Review)
“On Edge is an elegy without sentimentality, dedicated to all the artists in New York’s East Village underground, a site of manic creativity and serious hijinks.”—Linda S. Kaufman, The Women’s Review of Books
Review
“When it comes to performance at its extremities, or virtually in extremis, C. Carr is the major resource . . . She knows the traditions of the avante-garde, and is quite capable of following the lineage of a performance from Marinetti and Hugo Ball through Jack Smith to the Kipper Kids, from the Bauhaus to the Blue Man . . . What the book adds up to, for students of theater and performance art, is a vivacious record of inaccessible events” (Herbert Blau)
Most helpful customer reviews
2 of 2 people found the following review helpful.
A Must-Read for Tactical Media, Street Artists and Alternate Reality Game (ARG) Designers
By Celia Pearce
Last year, I attended Come Out & Play, a festival of outdoor and alternate reality games, a growing genre of often technologically-enabled games that take place in the real world. The lower Manhattan venues at which this distributed event was hosted were, in some cases, the very same locales where some of the performance art described in C. Carr's "On Edge" took place. Having been in New York at that time, and attended some of the "happenings" she described, I was amazed at how much this innovative new movement has in common, unbeknownst to itself, with this historical but often forgotten moment in intangible art. Indeed, there is one piece Carr describes which is so similar to Blast Theory's "Uncle Roy All Around You" it's uncanny. Anyway, for anyone working on tactical media, street art, or pervasive/locative games, ARG's, etc., this book will provide some valuable insight into contemporary practices through reflection past experimentation.
0 of 0 people found the following review helpful.
Great read.
By CC
very lively account of an eye witness and close observer of performances. Great read.
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