Sabtu, 31 Januari 2015

** Download Ebook The Secret Zoo: Raids and Rescues, by Bryan Chick

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The Secret Zoo: Raids and Rescues, by Bryan Chick

The fifth book in the fast-paced and imaginative series about four adventurous friends and the secret world hidden in their local zoo. Ella, Noah, Richie, and Megan are in trouble—and so is the Secret Zoo! A captivating series for tween readers praised as "action packed and breathless" by Publishers Weekly, and "a fast-paced mix of mystery and fantasy" by School Library Journal.

The Secret Zoo is an incredible world hidden beneath the regular Clarksville Zoo, where animals and humans peacefully coexist as equals. It is full of marvels. But even in the Secret Zoo, there are dangers . . . and forbidden places. When the scouts' friends are held in the off-limits sector—a never-ending maze of aquariums—Noah, Megan, Richie, and Ella must be at their most courageous. This page-turning mystery and adventure is perfect for reluctant readers!

  • Sales Rank: #84562 in eBooks
  • Published on: 2013-09-24
  • Released on: 2013-09-24
  • Format: Kindle eBook

From the Back Cover

Ella, Noah, Richie, and Megan are in trouble—and so is the Secret Zoo.

The Shadowist is back.

The Secret Zoo is under siege. Four of Noah's friends have been taken prisoner by DeGraff himself, and Blizzard the polar bear and Little Bighorn the rhinoceros are also being held captive. To save them, four ordinary children will have to venture deeper into the Secret Zoo than they have ever been before.

They'll learn new skills. They'll encounter new dangers. And they'll discover hidden knowledge they might not be ready for. Do they really want to know every secret of the Secret Zoo?

About the Author

Bryan Chick is the author of the Secret Zoo series. He originally had the idea for the series when he was a nine-year-old and wondered what would happen if zoo exhibits had secret doors that allowed children to go inside . . . and the animals to come outside. Bryan Chick lives with his wife and three children in Clarkston, Michigan.

Most helpful customer reviews

1127 of 1154 people found the following review helpful.
A Caution
By A Customer
Just a caution. My 11 year old was enjoying this book, until he came to this part: page 198: "...his mother fell down the stairs... [she] was hurt so badly that she couldn't move; she'd broken her legs and an arm, and she had other internal damage. Little Frederick was the only person who could help. but being so young [9] and frightened, he didn't know what to do. He simply held his mother at the bottom of the stairs and screamed. By the time they were discovered, Frederick's mother had died."

I felt that was a little unnecessarily traumatic. If your child is a gentle soul, or a hero-type like mine, this may be a little disturbing. It gave him bad dreams. I would have liked to have known about this before he started reading it, so maybe another parent will benefit from the fore-knowledge.

123 of 127 people found the following review helpful.
THIS IS SURE TO BE A HIT!
By J. Bond
I am a third grade teacher who is still reading this book to my class...and we are ADDICTED to it! It is one of the best books I have read to my class in a long time. The book is filled with descriptive language, suspense, and a lot of action and adventure. My students beg me to read more and more each day. We have had a lot of great discussions and have applied the story to many of our literacy lessons...especially with vocabulary. I can only imagine that with more exposure, this book is going to be a hit. I can even see it becoming a successful movie! We are looking forward to the next book in the series!

57 of 60 people found the following review helpful.
Wonderful book for all ages!!
By M. Traver
Although this book is aimed at the 9-12 year old range I can't put it down myself! I bought it as a read-aloud for my children but have gotten so wrapped up in the characters and story line that I haven't gotten around to reading it to my kids yet. If you think the cover is beautiful wait until the experience of the mental pictures the author provides with his detailed and exquisit writing. I can't wait to pick up the book and start the next chapter!
A wonderful addition to anyone's household!

See all 361 customer reviews...

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Jumat, 30 Januari 2015

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THE CHILDREN'S BIBLESELECTIONS FROM THE OLD AND NEW TESTAMENTS
TRANSLATED AND ARRANGEDBYHENRY A. SHERMANHEAD OF THE DEPARTMENT OF RELIGIOUS LITERATURE OF CHARLES SCRIBNER'S SONSANDCHARLES FOSTER KENTWOOLSEY PROFESSOR OF BIBLICAL LITERATURE IN YALE UNIVERSITYThis Children's Bible has hundreds of Bible stories using simple language. Illustrated with classic biblical paintings

  • Sales Rank: #1152912 in eBooks
  • Published on: 2012-01-24
  • Released on: 2012-01-24
  • Format: Kindle eBook

Most helpful customer reviews

11 of 11 people found the following review helpful.
Bible
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Sometime the bible is hard to understand. This childrens' version is easy to read, understand and explain. I'm in a bible study and believe it or not I bought it for me.

8 of 8 people found the following review helpful.
would reccomend this.
By jeanette rodriguez
the book was true to the stories even for a childs book. I like the detail on the book cover. the book marker was beautiful.

7 of 7 people found the following review helpful.
SO Beautiful!
By Brendasensei
I bought this as a birthday gift for my 12-year old son. He is reading it all the time! The quality of this book is luxurious, and worthy of passing from generation to generation.

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Selasa, 27 Januari 2015

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Chef's Guide to Charcuterie, by Jacques Brevery

Charcuterie, the art of transforming pork meats into various preparations as an array of dishes, has traditionally held a very important place in gastronomy. An art that demands serious attention by the chef, its success depends not only on the execution but also on the presentation. Chef's Guide to Charcuterie demonstrates how to transform lesser quality meats and organ meats into enjoyable and beautiful foods, including bacon, ham, sausage, terrines, galantines, pâtés, and confit.



Chef Jacques Brevery presents a complete collection of recipes and information from his career, some of which he learned from his mentors over the years. The book is designed as a reference for beginning chefs, providing them with accurate recipes for classic preparations as well as new ideas that will allow them to expand and improve their portfolio of recipes. The book also presents helpful charts and tables as well as useful conversion and substitution guides.



As the interest in this ancient skill is being revived today, charcuterie requires more than just a daily performance of routine tasks. Chefs must understand why and how these traditional charcuterie processes work. This volume serves as a solid foundation for learning and perfecting the skills of charcuterie.

  • Sales Rank: #3012884 in eBooks
  • Published on: 2012-12-14
  • Released on: 2012-12-14
  • Format: Kindle eBook

Review

" … for people who may be used to charcuterie as part of the garde manager chef’s repertoire but want more confidence and sense of freedom in the kitchen. … a treasured resource for anyone who cooks, both professionally and at home. It has everything needed to truly understand and master a wide array of charcuterie from around the world … .The detailed and vivid descriptions of the history of the food culture for each item are not only fascinating, but also give the reader an understanding of how each element evolved. … certain to have a prominent place in my culinary library and I hope yours as well."
―Stafford T. DeCambra, CEC, CCE, CCA, AAC; Corporate Executive Chef, PCI Gaming, Atmore, Alabama; American Academy of Chefs - Chair

About the Author

Jacques Brevery, PhD, CEC, AAC, graduated from the Culinary Institute of Libramont Belgium in 1975, where he earned a Master’s Degree with honors and pursued a PhD in Natural Food Science and Anthropology. After an illustrious career at many fine institutions, he now works with his own consulting company helping restaurants in distress, openings, revamping menus, training, and designing. He continues to work with culinary schools by giving lectures and encouraging new talent.

Most helpful customer reviews

0 of 0 people found the following review helpful.
chef's guide to charcuterie
By jacky
don't confuse sodium nitrite and sodium nitrate,
in europe and canada sodium nitrite is sold ready to use ( salt ready w 0.06 %
of nitrites added ) you can use it solo by 16 to 18 gr/by kg, into your charcuterie .it is safe .because usage of salpeter in lot more dangerous in hard to control nitrite production.
I been using for 40 years and never have any customer sick at all
you need to know what you are talking about .
this guy.. baconologist is confusing with nitrate 1 gr by 100 kg of salt.

2 of 4 people found the following review helpful.
Scary!!!!
By RidgeRunner
C'mon!?!?! How does something like this get published?

Beware!!!!

This terrible OVER-PRICED book is a hodgepodge of haphazard and dangerous recipes!!!!

The Paris Sausage with Garlic calls for 18,000 ppm sodium nitrite (18 g sodium nitrite), yes, 18,000 ppm.
The safe sodium nitrite maximum is just 156 ppm!!!!
Even if the recipe called for 18 g of 6.25% sodium nitrite pink salt the level of sodium nitrite would be 1125 ppm, which is still WAY over the safe limit!!!!!!!

The frankfurter recipe calls for 2.8% salt, which is VERY salty.
It also calls for the juice of one lemon which will interfere with the binding of the proteins.

The book is filled with bad information!

Very unprofessional!!

It should really be rated zero stars.

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  • Sales Rank: #3326930 in eBooks
  • Published on: 2013-01-09
  • Released on: 2013-01-09
  • Format: Kindle eBook

Review
"This will be a nice addition to American studies, American religion, and communications collections. Summing Up: Highly recommended." - Choice

About the Author

Robert H. Woods Jr., PhD, is professor of communication at Spring Arbor University in Michigan, where he teaches in the master's program. He holds a master's degree and doctorate in communication from Regent University and is licensed to practice law in the Commonwealth of Virginia.

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Sasol First Field Guide to Wild Flowers of Southern Africa provides fascinating insight into the wild flowers of the region. Through full-colour photographs and easy-to-read text, the beginner and budding naturalist will be able to identify the more common wild flowers that grow in southern Africa, discover where they are found, and learn about their unique features.

  • Sales Rank: #1655571 in eBooks
  • Published on: 2011-11-24
  • Released on: 2011-11-24
  • Format: Kindle eBook

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0 of 1 people found the following review helpful.
Great
By Dianne L. Walker
Great pictures.

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Dutch: Biography of a Language, by Roland Willemyns

More than 22 million people speak Dutch-primarily in the Netherlands, Belgium, Suriname, and the Antilles. Roland Willemyns here offers a well-researched and highly readable survey of the Dutch language in all its historical, geographic, and social aspects.
Willemyns tells a story of language contact and conflict. From its earliest days, Dutch has been in intense contact with other languages both within and outside the borders of the Low Countries, particularly with French, Frisian, and German.
The first part of Dutch concentrates on the historical development of standard Dutch and its dialects. The second part focuses on contemporary Dutch, including its many dialects in Flanders and Holland (some of them on the verge of extinction). Willemyns pays special attention to important questions in the history of Dutch, particularly the contentious matter of the global spread of Dutch through colonization-which led to "exotic" variations such as Afrikaans, pidgins, and creoles-and whether Dutchmen and Flemings are "separated by the same language." His final chapter tries to shed some light on the future of Dutch, and the impact of such "new" varieties as Poldernederlands (in Holland) and Verkavelingsvlaams (in Flanders).
Placing the Dutch story in the context of other West-Germanic languages like German and English, Dutch: Biography of a Language is the only English language history of Dutch and will be sure to interest a global audience of students of Dutch, those of Dutch descent, and linguists and other scholars wishing to learn more about Dutch.

  • Sales Rank: #918326 in eBooks
  • Published on: 2013-03-15
  • Released on: 2013-03-15
  • Format: Kindle eBook

Review

"Willemyns has splendidly packed a great deal of fascinating material into 260 pages of this highly readable and comprehensive survey of a language that certainly does not qualify as one of the major European tongues. " --Nurturing Potential


About the Author

Roland Willemyns is Emeritus Professor of Dutch Linguistics at Vrije Universiteit Brussels

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1 of 1 people found the following review helpful.
Dutch: biography of a language
By Pierre De Duytsche
This is a great work, it met my expectations in every way.Outstanding work by prof. Willemyns.
High level, but yet very comprehensible for every reader.

Pierre De Duytsche

2 of 3 people found the following review helpful.
Dutch, Both Cosmopolite and Bound by Tradition in its Outlook
By Serge J. Van Steenkiste
Linguist Roland Willemyns subdivides his book into three sections: 1) The genesis and development of the written and spoken Dutch language until the 19th century, 2) the evolution of Dutch since the 20th century and its future, and 3) the history of Dutch abroad (or Colonial Dutch) and Afrikaans. Readers do not need a fluent knowledge of Dutch to enjoy reading the book under review. However, fluency in Dutch definitely helps to better appreciate some linguistic nuances that Mr. Willemyns conveys across his biography of the language. To his "debit," the author regularly feels obliged to name-drop in his narrative, an habit that is at times deeply annoying. Chapter 9 about the future of Dutch comes top of mind on this subject. Furthermore, Mr. Willemyns' book does not contain a glossary of linguistics. Not everybody is familiar with the linguistic terminology used across "Dutch Biography of a Language." In summary, Mr. Willemyns gives his readers a useful roadmap to better understand how the Dutch language evolves over time and across geographies with varying degrees of success and failure.

1 of 1 people found the following review helpful.
Useful text on Dutch etymology
By A Furry Bear
The Germans call Dutch misspoken, ungrammatical German. This book nicely explains the etymology of the Dutch language, with insights into grammatical structure

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Senin, 26 Januari 2015

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eGods: Faith versus Fantasy in Computer Gaming, by William Sims Bainbridge

What is the relationship between religion and multi-player online roleplaying games? Are such games simply a secular distraction from traditional religious practices, or do they in fact offer a different route to the sacred?

In eGods, a leading scholar in the study of virtual gameworlds takes an in-depth look at the fantasy religions of 41 games and arrives at some surprising conclusions. William Sims Bainbridge investigates all aspects of the gameworlds' religious dimensions: the focus on sacred spaces; the prevalence of magic; the fostering of a tribal morality by both religion and rules programmed into the game; the rise of cults and belief systems within the gameworlds (and how this relates to cults in the real world); the predominance of polytheism; and, of course, how gameworld religions depict death. As avatars are multiple and immortal, death is merely a minor setback in most games. Nevertheless, much of the action in some gameworlds centers on the issue of mortality and the problematic nature of resurrection. Examining EverQuest II, Lord of the Rings Online, Rift, World of Warcraft, Star Wars: The Old Republic, and many others, Bainbridge contends that gameworlds offer a new perspective on the human quest, one that combines the arts, simulates many aspects of real life, and provides meaningful narratives about achieving goals by overcoming obstacles. Indeed, Bainbridge suggests that such games take us back to those ancient nights around the fire, when shadows flickered and it was easy to imagine the monsters conjured by the storyteller lurking in the forest.

Arguing that gameworlds reintroduce a curvilinear model of early religion, where today as in ancient times faith is inseparable from fantasy, eGods shows how the newest secular technology returns us to the very origins of religion so that we might "arrive where we started and know the place for the first time."

  • Sales Rank: #1590996 in eBooks
  • Published on: 2013-04-01
  • Released on: 2013-04-01
  • Format: Kindle eBook

Review

"This admirable project legitimizes video games not only as a storytelling medium for entertainment, but also as reflections of history and modern culture to be critically analyzed." - Publishers Weekly


"EDITORS' PICK. A long-awaited and truly fascinating book on the relationship between religion and multiplayer online role-playing games by highly respected sociologist of religion, science, and popular culture Bainbridge... The book's subject has been ignored by the academic world, perhaps because of its complexity, or possibly due to some in academia frowning on or ignoring games, even though understanding the gaming world is truly essential for understanding popular culture... This is fine reading. Summing Up: Highly recommended. All levels/libraries." - Choice


"This rich, provocative account addresses video games' pervasive religious-themed imagery and constructs, which, prior to Bainbridge's work, have been studiously overlooked in academic study. The nuanced exposition reveals games to be rife with cults, proselytizers, evangelists, inquisitors, afterlives, temples, tombs, shrines, and of course e-gods and goddesses. Essential reading for keeping our ideas about games fresh and finally inquiring about that elephant in the room." - Bonnie Nardi, author of My Life as a Night Elf Priest: An Anthropological Account of World of Warcraft, 2010


"eGods succeeds in showing the many ways in which religious myths, values, and practices have increasingly colored the cosmological and ethical landscapes of the most popular MMORPGs (massively multiplayer online role-playing games)."--The Journal of Religion


About the Author

William Sims Bainbridge is a prolific and influential sociologist of religion, science, and popular culture. He serves as co-director of Human-Centered Computing at the National Science Foundation. His books include Leadership in Science and Technology, The Warcraft Civilization, Online Multiplayer Games, Across the Secular Abyss, and The Virtual Future.

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1 of 2 people found the following review helpful.
More about Gameworlds than about Religion
By Dennis Ford
This book tells us more about the content and protocols found in gameworlds than it does about religion, much less about faith. Procedurally, the author uses nine conventional and less than nuanced categories sociologist use in studying religion as guides or filters for pursuing his research into the relationship between gameworlds and religion. Accordingly, each chapter begins with a brief introduction to a “religious” category – deities, souls, priests, shrines, magic, morality, cults, death, and quests – and then proceeds to identify, compare and contrast the occurrence of those same elements within the gameworlds he examines. Thus, for example, after noting that Western religions typically include the notion of god, he proceeds to identify the pantheon of fourteen deities in EvenQuest II, the six deities in Sacred 2: Fallen Angle, and the fourteen deities in Gods and Heroes: Rome Rising. The book includes eighteen tables that summarize many of his results. For example, there is a table that lists the six schools of magic found in Elder Scrolls IV: Oblivion, another the eighteen Voodoo dolls found in Pirates of the Caribbean Online. If nothing else, this book reflects an immense amount of work, including by the author’s reckoning thousands of hours engaged with playing more than forty videogames. (An appendix includes a useful annotated bibliography of the gameworlds on which his research is based.) In general, the author discovers that religion in gameworlds in more secular and less dependent on the supernatural than the religion found in the “real” world and thus reflects a form of religious compensation that is more appropriate for a secular age.
eGods provokes many comments and questions but I will limit my response to two:
1. After reading the book, I am not sure I can answer the question: So what? What’s the point or take-away of the author’s research? Discovering religious elements in gameworlds is not so very different than finding religious elements, or better religious dimensions, in sports for example. Perhaps more telling, what is the utility of exhaustively listing all 34 deities found in three computer games, or for that matter cataloging eighteen voodoo dolls? Once he’s made the point that there is a pantheon or polytheism of gods in gameworlds, does listing 34 instances add significantly to offering four or five examples? The author provides an immense amount of data but fails to provide a clear framework or context for interpreting that data. Tellingly, the book as a whole does not contain a conclusion; indeed the author states in the opening chapter that his research methodology does not include testing a hypothesis. Without either a hypothesis or thesis statement, what the data “proves” is unclear?
2. On a number of occasions, the author self-confidently reflects nothing less than disdain for conventional religion. Thus he states that shamans are either crazy or frauds, that religion is often a “confidence game,” that priests get to “parade around in splendid clothing during their narcissistic public rituals,” and that superstition “falsely believes that there is a unique, unitary self within every human being, and that the self is somehow immortal.” Given this disdain – a disdain that from my perspective is based on literalism and a naive understanding of how language is used in religious contexts – I wonder why the author has spent so much time and effort in establishing a link between discredited and illegitimate beliefs and gameworlds. Why not just study gameworlds from a different and presumably less fanciful perspective? Why not just abandon religion entirely and move forward toward something else?
Several worthwhile titles that explore the relationship between religion and media, including gameworlds, are Godwired: Religion, Ritual, and Virtual Reality by Rachael Wagner; Media, Religion and Culture: An Introduction by Jeffrey Mahan; and A Theology for a Mediated God: How Media Shapes Our Notions About Divinity by Dennis Ford.

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Jumat, 23 Januari 2015

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  • Sales Rank: #1501837 in eBooks
  • Published on: 2013-03-04
  • Released on: 2013-03-04
  • Format: Kindle eBook

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Dom Quixote de La Mancha (Portuguese Edition), by Miguel de Cervantes

Dom Quixote de La Mancha (Don Quijote de la Mancha em castelhano) é um livro escrito pelo escritor espanhol Miguel de Cervantes y Saavedra (1547-1616). O título e ortografia originais eram El ingenioso hidalgo Don Qvixote de La Mancha, com sua primeira edição publicada em Madrid no ano de 1605. É composto por 126 capítulos, divididos em duas partes: a primeira surgida em 1605 e a outra em 1615.O livro surgiu em um período de grande inovação e diversidade por parte dos escritores ficcionistas espanhóis. Parodiou os romances de cavalaria que gozaram de imensa popularidade no período e, na altura, já se encontravam em declínio. Nesta obra, a paródia apresenta uma forma invulgar. O protagonista, já de certa idade, entrega-se à leitura desses romances, perde o juízo, acredita que tenham sido historicamente verdadeiros e decide tornar-se um cavaleiro andante. Por isso, parte pelo mundo e vive o seu próprio romance de cavalaria. Enquanto narra os feitos do Cavaleiro da Triste Figura, Cervantes satiriza os preceitos que regiam as histórias fantasiosas daqueles heróis de fancaria. A história é apresentada sob a forma de novela realista.É considerada a grande criação de Cervantes. O livro é um dos primeiros das línguas européias modernas e é considerado por muitos o expoente máximo da literatura espanhola. Em princípios de maio de 2002, o livro foi escolhido como a melhor obra de ficção de todos os tempos. A votação foi organizada pelo Clubes do Livro Noruegueses e participaram escritores de reconhecimento internacional.

  • Sales Rank: #1523425 in eBooks
  • Published on: 2012-01-05
  • Released on: 2012-01-05
  • Format: Kindle eBook

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Kamis, 22 Januari 2015

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There is something for every football fan in "The Premiership Football Miscellany". This title is neither a work of reference, nor a compendium of lists, nor a collection of biographies, nor a compilation of trivia. In fact, it is a glorious mixture of all these things and much more besides. The reader will learn hundreds of fascinating facts about the leading division of English club football on a wide range of topics, including famous managers, outstanding players and big match encounters. It features player portraits, quotes, league tables, results, fantasy teams, records, lists and numerous trivia entries.

  • Sales Rank: #3499691 in eBooks
  • Published on: 2013-09-12
  • Released on: 2013-02-04
  • Format: Kindle eBook

About the Author
John White is a lifelong sports fanatic who has dedicated his spare time, and his computer, to compiling an impressively comprehensive database of sporting facts and figures. He is the author of numerous sports books, including 10 miscellanies and White's Sports Almanac 2008. Born in Belfast, he now lives in Co. Down, Northern Ireland, but visits Manchester every other weekend from August to May to be among 76,000 like-minded souls at Old Trafford.

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The Real Boy, by Anne Ursu

National Book Award Longlist
2014 Bank Street Children's Book Committee Best Book of the Year
"Beautifully written and elegantly structured, this fantasy is as real as it gets."—Franny Billingsley, author of Chime

The Real Boy, Anne Ursu's follow-up to her widely acclaimed and beloved middle grade fantasy Breadcrumbs, is a spellbinding tale of the power we all wield, great and small.

On an island on the edge of an immense sea there is a city, a forest, and a boy named Oscar. Oscar is a shop boy for the most powerful magician in the village, and spends his days in a small room in the dark cellar of his master's shop grinding herbs and dreaming of the wizards who once lived on the island generations ago. Oscar's world is small, but he likes it that way. The real world is vast, strange, and unpredictable. And Oscar does not quite fit in it.

But now that world is changing. Children in the city are falling ill, and something sinister lurks in the forest. Oscar has long been content to stay in his small room in the cellar, comforted in the knowledge that the magic that flows from the forest will keep his island safe. Now, even magic may not be enough to save it.

  • Sales Rank: #327046 in eBooks
  • Published on: 2013-09-24
  • Released on: 2013-09-24
  • Format: Kindle eBook

From Booklist
Oscar knows he’s different. He can’t remember where he comes from, he has an encyclopedic knowledge of magical herbs and their uses, and he just does not understand human interaction. As the apprentice to Caleb, the last magician in the magic-steeped Barrow, Oscar doesn’t need to worry about how different he is: all he needs to do is collect the herbs, prepare the charms and tinctures, do his chores, and avoid trouble. That changes when a mysterious destructive force begins obliterating anything magical, and the city’s perfect children start falling curiously ill. As Oscar and his friend Callie investigate the source of the devastation and seek to protect the Barrow and its inhabitants, they discover a deep, dark secret. And has Oscar discovered why he’s so different? Ursu (Breadcrumbs, 2011) also presents a rich world filled with natural magic and a troubling origin story of sacrifice. The puzzling and atmospheric mystery takes an empowering turn as Callie and Oscar learn to rely on the valuable strengths they already have. Perfect for the Neville Longbottoms of Harry Potter fandom. Grades 4-7. --Sarah Hunter

Review
“Anne Ursu’s (Breadcrumbs) latest novel explores what makes someone (or something) ‘real.’ The author mines the potential of magic and mystery in the story of 11-year-old Oscar, whom Master Caleb, ‘the first magician in a generation,’ plucked from the orphanage.” (Shelf Awareness (starred review))

“It’s all highly rewarding and involving, with a tight plot, resonant themes, a gripping adventure, a clearly limned fantasy landscape, and a sympathetic main character.” (The Horn Book)

“Deeply moving, with language powerful and true as a child’s voice. Grade: A.” (Cleveland Plain Dealer)

“Wholly unexpected with plot twists and turns you won’t see coming, no matter how hard you squint, Ursu’s is a book worth nabbing for your own sweet self. Grab that puppy up.” (Betsy Bird, A Fuse #8 Production (SLJ blog))

“There is such richness to this tale about a world seemingly falling apart. All of the fairy tale allusions. But in the end, The Real Boy is such a compelling fantasy story because of the two children who, amidst the chaos of their world, can help each other so much.” (Richie's Picks)

“Anne Ursu keeps readers turning the pages until the unexpected but satisfying ending of the story…. I believe this book will be around for a long, long time.” (Anita Silvey, Children’s Book-A-Day AlmanacAnita Silvey, Children’s Book-A-Day Almanac)

“Anne Ursu’s The Real Boy is a fantasy in the truest, deepest sense: it illuminates the human experience by giving substance and shape to that which is otherwise intangible. Beautifully written and elegantly structured, this fantasy is as real as it gets.” (Franny Billingsley, author of Chime)

“Anne Ursu has created a brilliant fantasy, alive with the smells and sights and sounds of a place both familiar and strange - but the true magic of The Real Boy lies in the powerful friendship that grows between Callie and Oscar. A joy to read.” (Linda Urban, author of A Crooked Kind of Perfect)

“The Real Boy is an engaging fable about what happens when people reject real life in favor of pleasure, of magic. I enjoyed it very much.” (Nancy Farmer, bestselling and multiple-award-winning author of The House of the Scorpion)

From the Back Cover

Oscar, a shop boy for the most powerful magician in the Barrow, spends his days in a dark cellar grinding herbs and dreaming of the wizards who once walked the forests of his island. Oscar's world is small, but he likes it that way. The real world is vast, strange, and unpredictable. And Oscar does not quite fit in it.

But now that world is changing. Children in the nearby city are falling ill, something sinister lurks in the forest—and now even magic may not be enough to keep the island safe. Anne Ursu has written an unforgettable story of transformation and belonging—a spellbinding tale of the way in which the power we all wield, great and small, lies in the choices we make.

Most helpful customer reviews

10 of 10 people found the following review helpful.
More than a magical fairy tale
By Experienced Editor
I'm not sure which I like better: the story, the characters, or the writing. I mean, you've gotta love a book that contains sentences like "The apprentice's name was Wolf, because sometimes the universe is an unsubtle place."

Wolf makes life miserable for the orphan by Oscar, who also works for the magician Caleb. Oscar is only a hand, doing menial tasks that Wolf wouldn't touch. He spends his days in the cellar of Caleb's magic shop in the Barrow, a tangle of forest circling the gleaming hilltop town of Asteri. Oscar has no social skills; he takes words literally, doesn't understand facial expressions, and cannot look people in the eye. In other words, Oscar is an unlikely hero. Yet when Caleb disappears, Wolf is killed, and the children of Asteri become ill with unexplainable symptoms, Oscar is forced to act. Fortunately he meets Callie, apprentice to the village healer (who has also disappeared). Armed with Oscar's knowledge and Callie's perceptiveness, they set out to unravel the mystery and restore their world to health.

The universe is indeed subtle, and so are the themes in this book. The story includes not only adventure and mystery but also reflections on friendship and loneliness, on altruism and greed, on honesty and deceit, on caring for the environment and on what it means to be a person. But none of these themes are intrusive or "preachy." The book is first of all a story, with characters to care about, an intriguing plot, and plenty of suspense and surprises to delight the reader. Highly recommended for middle-grades and up to adult.

8 of 8 people found the following review helpful.
Magical and Engaging
By K. M. Martin
THE REAL BOY was a magical story with a wonderful main character. Oscar is an orphan who was taken from his orphanage and installed as magician's hand. He is the one who gathers the herbs and other greenery to make the tinctures, potions, and ingredients that the magician sells. He is content living in his workroom in the basement with only cats for his friends. He loves spending time, when he is supposed to be sleeping, reading the books about plants from his master's library.

Oscar doesn't deal well with people. He gets confused because they don't say what they mean and he can't interpret facial expressions at all. When his master goes off to the continent on business and the apprentice is killed in the forest, Oscar is left to mind the shop and deal with customers. Luckily, the Healer's apprentice Callie befriends him and begins to teach him how to deal with people.

When the Healer also leaves town, Callie is on her own too. This is so not the time for sickness to come to the children of the Shining City. But the sickness does come and both Callie and Oscar need to scramble and use all their talents to try to heal the children.

This book has magic and friendship and tough decisions. And it has two really likable characters in Oscar and Callie. Readers will be glad to get to know them.

9 of 10 people found the following review helpful.
Beautiful Storytelling, Magical Story
By Jill
Anne Ursu is a storyteller like no other. It's not just the story, or the characters, but also the words she uses that create images that make you say "yes, yes, I know how that looks," or "oh, I can picture that". It's not just the way she writes, but the words seem magical as she weaves her story. And the story is about magic and the power that word holds. "Magic". It makes me tingle whenever I read it in a book description. It holds a promise of things to come, enchanting, sparkling, potions and spells and well, magic. But, I realized, I was prepared for magic being comfortable and well, good. That's not this story.

I wondered, just from the name, if this was a Pinocchio story. And, after reading it, I can't say. It has some of the elements, but I think it's purposely ambiguous to let you make your own interpretations. Yes, definitely there is a round about nod to Pinocchio, but Anne Ursu makes it completely her own story. That's what I like about her storytelling, you don't really get a retelling. It's a complete reworking with only a touch of the original story there.

Oscar is a bit hard to attach to, he doesn't feel anything for a long time. He relates the story to us as if he were a newspaper reporter. The cats seem to bring out the most feeling in him. That and the plants. But the one feeling we see clearly is fear. He has bad dreams, nightmares and they wake him at night so that he sneaks into the library and reads. He is a cautious boy, as if he is always wanting to hide in the shadows, afraid to be seen, not allowed to be there, wherever he is. He isn't supposed to be out at night, but he waits, after his nightmare, for hours after the last footsteps, and finally goes to the library. And he reads.

Callie is the apprentice to the healer Madame Mariel. She is a few years older than Oscar and very much not impressed by the "Shining People" of Asteri who live on the hill surrounded by white walls and protected from illness and danger because they are guarded by magic. Yet they still come down into the Barrows for little love potions, luck charms and such. Callie seems to figure Oscar out right away, not completely, but she knows enough that he isn't comfortable when he's left to mind the store in Master Caleb's absence. She, too, is left to run the healer's business in Madame's absence. She decides to strike a deal with him to show him how to run the shop, to talk to people if he will help her with her healing.

Oscar's cellar, his world, is suddenly not only bigger, but louder, brighter and now he has to share it with someone. He has to learn how to read faces, especially Callie's and he finds that not every face can be read the same. He has to learn what to do when he hurts Callie's feelings and what not to say in front of people with sick children. And yes, the people of Asteri, or their children are getting sick. They never get sick, it's just not supposed to happen. And the healer and the magician are gone. Tragedy strikes Oscar and he makes a huge discovery that sends him back to thinking there is something wrong with him as if "that" is the reason he is like this. When I read what Callie said to him, and there is a picture to go with it, it brought big fat sloppy tears to my eyes. It was so unexpected! Magic. That's Anne Ursu's writing for you.

There are a lot of secrets that are hidden from the people of The Barrows and Asteri. Maybe some remember and just chose to forget. Maybe some never knew. But the earth remembers. The magic knows. And truthfully everyone knows what must be done only no one wants to admit it. They don't want change. The ending is ambiguous as I said before, but I believe in happily ever afters so that's what I think happens. It doesn't bother me a bit that the ending doesn't say yes this happens.

I really do highly recommend this novel to anyone that enjoys Middle Grade Fiction, though I hate to limit it to Middle Grade. It's just a good story. A definite twist on the Pinnochio story that will leave you wondering to the very end.

I received a copy of this novel from Kellie at Walden Pond Press for review. This in no way influenced my review. All opinions expressed are my own.

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